HeyJaredHannah Jocelyn
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 3, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Aug 3, 2026
Latest articles
Lex Walton: Ultimate Love Forever (opens the original)
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Lex Walton operates on the extremes of hope and despair; from the outside, it just seems like irony. She will reference cult director Vincent Gallo (as “Vinny Gallo”) and Owl City’s childlike 2009 hit “Fireflies” on the same EP. Her song titles, like “In This House, We Don’t Call the Cops; We Call Chosen Family” and “Preteen on Omegle Blues,” can be off-putting. Walton is prolific and, among a certain Brooklyn trans scene, ubiquitous—aside from appearing in lo-fi trans anthology series Castratio
The Anchoress: As We Once Were (opens the original)
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Beneath the Last Dinner Parties and Wet Legs of U.K. indie rock lies a smaller, more earnest niche, one that’s both kinetic and deeply emotional. These artists have a lot in common with their aforementioned peers—though they often embrace an earnest attitude, rather than a fashionably arch one—and even if they aren’t equally famous, their songs sound enormous. Among the best of this category is Catherine Anne Davies, who performs as the Anchoress, mixing ’80s pop with the gritty ’90s rock of Ric
Slayyyter: âBrand New Chanel$â (opens the original)
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While rehearsing for her Coachella performance, Slayyyter found out her boyfriend had cheated on her; over the following weeks, her album WOR$ST GIRL IN AMERICA and subsequent Mojave Stage appearance would mark her biggest career successes to date. Itâs a classic pop-star rebound story, like Katy Perry receiving a text about her divorce moments before hitting the stage. Three months later, Slayyyterâs back with a new single, âBrand New Chanel$.â Itâs a sequel to the prior albumâs â
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Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
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