HeyJaredGreg Carlson
- Indexed articles, last 90 days
- 10
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- Sep 15, 2026
- Outlet visibility, for High Plains Reader Fargo, ND
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- Jul 13, 2026
Latest articles
Some beloved witches return in ‘Practical Magic 2’ (opens the original)
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by Greg Carlson | Sep 15, 2026 | Art and Entertainment, Cinema I admit to having a soft spot for movies that eventually transform into swans of the cult-following variety after languishing as box office and/or critical ugly ducklings. Despite affection for witchy tales and the presence of two appealing future Oscar-winners in major roles (not to mention the incredible Dianne Wiest, already an Academy Award-winner, in support), the original 1998 “Practical Magic” was not my cup of herbal tea. I a
Heading home again: Sasha Waters pays tribute to Mary Oliver (opens the original)
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Shortly before the theatrical run of “Mary Oliver: Saved by the Beauty of the World,” the gentle and moving feature documentary by Sasha Waters that honors the late poet in nearly all the best possible ways, a friend wrote to me: “I am probably not alone in saying that Mary Oliver saved my life.” In the movie, an admirer hoping that Oliver will recite “The Journey” expresses the same sentiment, confirming and affirming the power of the great writer. Oliver died in early 2019 at the age of 83 fol
Don’t walk away: MacDonald is ‘Finding Emily’ (opens the original)
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Third-year psychology student Emily (Angourie Rice), an American abroad at the fictional Manchester City University, alights on what she thinks will be the perfect case study to complete her psychology thesis project: musician/sound engineer Owen (Spike Fearn), chasing after another Emily he met briefly at the student union club where he works, is desperate to reconnect after one fleeting interaction. Emily’s specific topic focuses on attachment theory and the “madness” of romantic love, but vie
Teenage Sex and Death at Camp Miasma (opens the original)
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An increasingly intimate relationship between a filmmaker and a reclusive horror actor commands our attention in “Teenage Sex and Death at Camp Miasma,” director Jane Schoenbrun’s highly anticipated follow-up to the much lauded “I Saw the TV Glow.” Schoenbrun’s latest, described by the artist in an interview with JP Mangalindan for “Time” as emerging from the “fun parts” of transitioning (as opposed to the more frightening aspects explored in “I Saw the TV Glow”) is essential viewing for genre f
The End of Oak Street (opens the original)
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David Robert Mitchell’s energizing dino-danger adventure “The End of Oak Street” descends upon us like a late summer gift from the Hollywood heavens. If possible, go see it knowing nothing ahead of time and then come back to read the rest of this review. Mitchell’s fourth film as writer-director continues the moviemaker’s preoccupation with the subtleties and nuances of familiar suburban experiences charged through with a heightened sense of the uncanny. In “Oak Street,” an inexplicable cross-ti
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