Grayson Haver Currin
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 14, 2026
- Outlet visibility, for Mojo
- Top 1M sites
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- Aug 3, 2026
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“There’s nothing left on the shelf that I didn’t think was good.” (opens the original)
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In the new issue of MOJO – on sale now – we’re granted an exclusive, ultra-rare interview with Neil Young on the eve of his brand-new album, Second Song. Speaking at his home in Colorado, Young reveals how the record came together, discusses his relationship with the past, finding peace with his wife Daryl Hannah, and his still mercurial approach to making music - “a song shows up, and we just see what happens,” he tells Grayson Haver Currin. In this extract from the interview, Young reflects on
“I just go where my heart leads...” (opens the original)
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From her early life growing up in poverty in Tennessee, Dolly Parton rose to become perhaps the biggest star country music has ever seen. Behind the glitz, hits and theme parks, however, was a songwriter of rare talent, wit and pathos. Able to both elevate and subvert country in a way few other artists could match. In 2023, MOJO's Grayson Haver Currin sat down with Parton to discuss her remarkable life and career, and hear about why, at the age of 77, the Queen Of Country was embracing rock musi
"I Must Be Dreaming works so well because it squares up to reality..." (opens the original)
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When Alabama Shakes sauntered in with the Southern groove of Hold On in early 2012, the members were barely older than the boys and girls for which they named their debut. Sure, guitarist Heath Fogg was nearing 30, but Brittany Howard sang about the surprise of surviving to 22 from the wizened perspective of just 23. They advanced quickly, shifting in only three years from their elemental and agile soul-rock beginnings to the psychedelic and skywriting Sound & Color. An album borne of audacious
"These songs feel less like aberrations than a scenic bypass on Ween’s oddball ride" (opens the original)
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“The players on this record are the best that I’ve ever played with,” Dean Ween wrote before the release of Ween’s fifth album, 12 Golden Country Greats, in 1996, “and they nailed every one of these songs on the first and second takes.” He was referring to an elite squadron of Nashville session aces who indeed helped pioneer the city’s golden country (and occasional rock crossover) sound – folks like pianist Pig Robbins, drummer Buddy Harman, and titanic vocal group The Jordanaires. In the prior
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