Grace Ko
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 18, 2026
- Outlet visibility, for Thehoya
- Top 5M sites
- Earliest in this view
- Sep 2, 2026
Latest articles
LNGSHOT Serenades, Jay Park Body Rolls in a Playful Night at The Anthem (opens the original)
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It would not be dramatic to say that Jay Park is a cultural pillar in the world of K-pop. Beginning as an idol in the second-generation K-pop group 2PM, he has expanded much beyond his origins, now a founder of several influential Korean hip-hop companies — such as AOMG and H1GHR MUSIC — alongside working as a prominent Korean solo artist. After seven years, Park has returned to the United States for his “Serenades and Body Rolls” tour alongside K-pop boy band LNGSHOT, Park’s first venture into
The End of an Era: The Return of the Primetime Emmys (opens the original)
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In my time at The Hoya, there is only one thing that I have been consistently and peculiarly passionate about: the Primetime Emmys. Every year, I sit down, a warm drink in hand, and buckle down for a three-hour award show whose relevance is questioned every year it airs. This year, I hung up my detective cap, left Benoit Blanc alone and simply watched the ceremony as a viewer rather than as the pop culture detective nobody needs. Sometimes, you need to return to the basics in order to get to the
‘Silo’ Season 3 Teeters Between Boredom and Brilliance (opens the original)
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If there’s one thing true about “Silo,” it’s that watching it can often mimic the feeling of walking up a silo’s hundreds of thousands of steps. Adapted from the “Silo” science fiction novel series by Hugh Howey, “Silo” is set in a dystopian future where humanity is forced to live in underground silos. The show’s third season follows the return of Juliette Nichols (Rebecca Ferguson) from Silo 17. Suffering from amnesia, Nichols is forced to start from square one, rediscovering herself and the se
‘Tony’ Springs Alive in a Singular, Beautiful Snapshot (opens the original)
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Biopics are hard to love. In a world of movies like “Bohemian Rhapsody” and “Michael,” the genre has developed a reputation for inconsistency and nostalgia-bait. They are often overly ambitious and unwieldy, attempting to explore 50 or more years of life in a single film and often with nothing new to say about their subject of study. Amid this precedent, “Tony” is a very welcome and wonderful surprise. Focused on arguably one of the most famous culinary figures in the United States, “Tony” explo
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