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Ginny Fisher

Reporter · NZ

Indexed articles, last 90 days
3
Latest publication
Sep 18, 2026
Outlet visibility, for NZ Herald
Top 5K sites
Earliest in this view
Jul 11, 2026

Latest articles

  1. Article · Sep 18, 2026 · Ginny Fisher

    After working with Leonardo Di Caprio and Dior, this Kiwi artist brings his work to Auckland (opens the original)

    Excerpt · Positive tone · English

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    He has worked with Leonardo DiCaprio and Dior and shown at Frieze London and Christie’s. Now, Art in the Park will bring Jesse Woolston’s gigantic digital simulations to Auckland, Ginny Fisher writes. Keeping up with artist Jesse Woolston’s thought train is a bit like being caught up in one of his ginormous nature simulations. Ideas are tossed around and thoughts whirr before he reverts to an earlier idea, then thoughtfully asks what I make of it. The 34-year-old Los Angeles-based Kiwi has been

  2. Article · Aug 13, 2026 · Ginny Fisher

    How to spot the difference between key art movements in Aotearoa (opens the original)

    Excerpt · English

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    Hawke’s Bay-based artist Nephi Tupaea at the Aotearoa Art Fair 2025. Photo / Luke Foley-Martin In the second of a series, art experts speak to Ginny Fisher about four modern art movements that have informed contemporary visual artists in Aotearoa. Contemporary Māori artist Nephi Tupaea would like you to rethink the Western art canon. Not altogether, but, for a few moments, envision art history through her eyes. The Hawke’s Bay-based artist makes the point that when she studied art, the lens offe

  3. Article · Jul 11, 2026 · Ginny Fisher

    Five art movements every art lover should know (opens the original)

    Excerpt · English

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    W D Hammond, Rest Area Limbo Ledge, 2002, acrylic on board, Chartwell Collection, Auckland Art Gallery Toi o Tāmaki. Arts writer Ginny Fisher demystifies five key art movements that inspired New Zealand artists of the 1900s. “We were on the edge of things, just on the rim of the world,” wrote New Zealand-born artist Len Lye, renowned for his experimental kinetic sculptures and films, who relocated to the United States in the 1950s, finding the tyranny of distance too great a hurdle for his wildl

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