GEORGE PRENTICE
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 22, 2026
- Outlet visibility, for Idahopress
- Top 1M sites
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- Jul 9, 2026
Latest articles
SCREEN: How lunch with ‘Marty’ became the funniest documentary of the year (opens the original)
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By now, you know that I take these essays on movies quite personally. From very early on, my relationship with film has evolved to be the great love affair of my life. Thatâs not to say that I occasionally look at my dispatches to you as consumer reporting. Full admission to an evening at the cinema has become a considerable expense of late. But more often than not, Iâm looking for something that touches my heart. And when a movie finds an as-of-yet unoccupied corner of my soul, and nestles
SCREEN: Shouldn’t ‘Tony’ be a dish served colder? (opens the original)
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The first time many of us heard of Anthony Bourdain was the summer of 1999 in the pages of The New Yorker. He had sent an unsolicited essay to the magazine, titled âDonât Eat Before Reading This.â Within a year, he would use the essay as a foundation for what would be a runaway bestseller in 2000: âKitchen Confidential.â The New York Times raved. âThis is one bitter, nasty, searing, hard-to-swallow piece of work,â wrote the Timesâ Thomas McNamee. âBut if you can choke the thing
SCREEN: Bar none, ‘The Invite’ is the funniest movie in a very long while (opens the original)
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The last thing youâll hear in âThe Inviteâ (and letâs be clear: you WILL hear it, because if you donât see âThe Invite,â Iâll never talk to you again) is the 1930s jazz standard, âIâm Confessinâ That I Love You.â I wonât tell you whoâs playing the song. I wonât even tell you if more than one person is plunking out the tune on a piano. No, what matters here is the title of the song and the act of âconfession.â You see, the filmâs story that has played out in th
SCREEN: Bar none, ‘The Invite’ is the funniest movie in a very long while (opens the original)
Read excerpt
The last thing youâll hear in âThe Inviteâ (and letâs be clear: you WILL hear it, because if you donât see âThe Invite,â Iâll never talk to you again) is the 1930s jazz standard, âIâm Confessinâ That I Love You.â I wonât tell you whoâs playing the song. I wonât even tell you if more than one person is plunking out the tune on a piano. No, what matters here is the title of the song and the act of âconfession.â You see, the filmâs story that has played out in th
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