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Gary Rosen

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Sep 17, 2026
Outlet visibility, for aei.org
Top 500K sites
Earliest in this view
Aug 3, 2026

Latest articles

  1. Article · Sep 17, 2026 · by Gary Rosen

    Bolsheviks? The DSA Is Only Cosplaying Revolution. (opens the original)

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    The Democratic Party is not in the grip of a “Bolshevik revolution,” as House Majority Leader Steve Scalise (R-Louisiana) claimed from the stage of the GOP’s midterm convention last week in Dallas. Nor is it true, as President Donald Trump declared, that “it’s going to be a communist country” if the Democrats win in November. House Speaker Mike Johnson (R-Louisiana) was a bit closer to the mark when he said, “Next year the communists will be in Congress.” What’s fair to say is that a handful of

  2. Article · Aug 19, 2026 · by Gary Rosen

    I See Why This Black Professor Quit. But Here’s Why I Wish He Hadn’t. (opens the original)

    Excerpt · Critical tone · English

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    The cover story in this month’s Atlantic by Tyler Austin Harper is the most devastating indictment of the ideological perversions of higher ed that I’ve read in a long time. Harper arrived at Bates College in Maine in 2020 as an idealistic new PhD in comparative literature, grateful for the tenure-track job that promised him that rarest of prizes these days—a career in the humanities. But Harper is Black, and he quickly discovered that his race—and the views that were presumed to go with it—were

  3. Article · Aug 3, 2026 · Gary Rosen

    Plato Had His Reasons for Banishing Homer. Christopher Nolan Does Too. (opens the original)

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    The classicists aren’t happy with Christopher Nolan’s Odyssey, and who can blame them? Scholars of Homer’s epic are right to think that their beguiling hero has gone missing from the IMAX spectacle that is selling out theaters across the country. As the translator and critic Daniel Mendelsohn puts it, the “greatly cunning” Odysseus of Homer’s tale—a defiant schemer and verbal virtuoso—has given way in Nolan’s retelling to an earnest, guilt-ridden dullard. Here, he laments, we find “no cleverness

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