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Emma Galler

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Sep 2, 2026
Outlet visibility, for Daily Cal | Berkeley news
Top 1M sites
Earliest in this view
Jul 17, 2026

Latest articles

  1. Article · Sep 2, 2026 · Emma Galler | Staff

    Producer John Kinsner talks intersection of formats in ‘Jim Henson’s Labyrinth: In Concert’ (opens the original)

    Excerpt · Positive tone · English

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    Released in 1986, Jim Henson’s “Labyrinth” fused puppetry, live-action performance, special effects and musical numbers to create a coming-of-age film unlike any other. Forty years later, that fusion is brought to another level, with live music accompanying the film, as “Jim Henson’s Labyrinth: In Concert” comes to the San Jose Civic on Oct. 22. In an interview with The Daily Californian, producer John Kinsner discussed how this combination of formats further heightens the film’s p

  2. Article · Aug 20, 2026 · Emma Galler | Staff

    Marin Shakespeare Company’s ‘Julius Caesar’ booms with spectacle (opens the original)

    Excerpt · Positive tone · English

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    Tucked into the corner of the woods in San Rafael, the Forest Meadows Amphitheatre hides a bold vision of Caesar, one that creates a spectacle of deception, and humanity of political figures. Marin Shakespeare Company’s “Julius Caesar” examines the classic play from a lens of violence, asking the audience what brings us to it, how we accept it and how those in power reach it. With a cleverly utilized budget and intimately persuasive performances, the production offers a vision of violence

  3. Article · Jul 17, 2026 · Emma Galler | Staff

    ‘The Odyssey’ finds truth in sound, song and image (opens the original)

    Excerpt · Neutral tone · English

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    For more than a year, since the first images were released of Christopher Nolan’s “The Odyssey,” the film has been embroiled in controversy over its visuals and language. Historians and critics have cited inaccuracies to both the time period and Homer’s original text, with arguments over exaggerated costumes, unbelievable set elements and usage of a more contemporary vocabulary. “The Odyssey” responds to this criticism in kind, using those fantastical elements to elevate its translat

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