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Elaine Ng

Reporter

Indexed articles, last 90 days
3
Latest publication
Sep 29, 2026
Outlet visibility, for ArtAsiaPacific
Top 5M sites
Earliest in this view
Aug 19, 2026

Latest articles

  1. Article · Sep 29, 2026 · Elaine Ng

    Depot Reborn: Interview With Olivier Marty of Studio KO (opens the original)

    Excerpt · Neutral tone · English

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    Olivier Marty, co-founder of the Paris-based architecture firm Studio KO, specializes in giving historic structures a considered second life. His latest project, the Centre for Contemporary Arts Tashkent (CCA Tashkent), does just that for the 1912 tram depot and diesel station in the heart of Uzbekistan’s capital, transforming it into the country’s first permanent institution dedicated to contemporary art. Before Tashkent, Studio KO developed a distinctive approach to cultural buildings. The Yve

  2. Article · Aug 27, 2026 · Elaine Ng

    Editor’s Letter: When Categories Collapse (opens the original)

    Excerpt · English

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    Art, like history and the body, has ceased to remain within fixed boundaries. Borders strain to contain these unruly forms, but fail. ArtAsiaPacific’s September/October issue looks at artists working in that unsettled space, where categories begin to dissolve: the city becomes material, the self a sculpture, language a weapon, memory an architecture. We begin with the wide-ranging practice of Liu Wei, whose work is featured on our cover. Born in Beijing in 1972, Liu came of age amid the turbul

  3. Article · Aug 19, 2026 · Elaine Ng

    “Asia as Method”: Interview with Alexandra Munroe (opens the original)

    Excerpt · English

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    In 2006, Alexandra Munroe was appointed to a newly created position at the Solomon R. Guggenheim Museum: senior curator of Asian art, the first such role at any modern and contemporary art museum in the West. Over two decades, she significantly expanded the New York institution’s vision beyond Eurocentric frameworks, introducing seminal non-Western artists to American audiences through landmark exhibitions, research initiatives, and acquisitions. The driving force behind the museum’s Asian A

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