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HeyJared

Drew Neiman

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Aug 12, 2026
Outlet visibility, for The FADER
Top 500K sites
Earliest in this view
Jul 30, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest articles

  1. Article · Aug 12, 2026 · Drew Neiman

    20 Black pop girls to know right now (opens the original)

    Excerpt · Positive tone · English

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    Black women in pop music is not anything new, but recently, we've noticed a host of new voices shaping and leaving their mark on the current landscape. We're using that term, "pop," loosely — ahead, in this list, these musicians span capital-P pop, yes, but also R&B, hyperpop, grunge, and rock, though they all share one uniting ethos: a swaggering and stylish sensibility about the way they present their vision. These 20 artists — Cannelle, YSEULT, Natanya, Chxrry, and many more — move like

  2. Article · Aug 6, 2026 · Drew Neiman

    the sound chalk makes sculpts dance music out of found sound (opens the original)

    Excerpt · English

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    "I fundamentally believe that all of us live the same life,” says Kabir Parekh, the artist who records under the name the sound chalk makes. “And when you're living the same life, whatever experience you have is essentially somebody else's experience in a mirror." We’re sitting tucked away in an undecorated brutalist lounge at Elsewhere, perched on top of the backrest of a concrete couch. This is the fourth and final sound chalk makes show in 30 days here in the USA, and 20-year-old Kabir

  3. Article · Jul 30, 2026 · Drew Neiman

    Meet Medio Oriente, Chile’s wildest post-genre electronic collective (opens the original)

    Excerpt · English

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    In the basements and abandoned lots of Santiago, Chile, students of the city are raving, two-stepping, and trance-dancing to the music of a tight-knit record label: Medio Oriente. I first came upon the collective through 2025’s MUNDO, the digital hardcore album by label founder Segunda Mordida (2MA). Mordida’s project sprints through breakbeats, pitch-modulated field recordings, and samples, at times sounding like an acoustic punk record that was mixed and mastered on a Nokia phone. In each

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