HeyJaredDoreen St. Félix
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 5, 2026
- Outlet visibility, for The New Yorker
- Top 50K sites
- Earliest in this view
- Jul 25, 2026
Latest articles
The Art of Getting Lost in Minnie Evans (opens the original)
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A man buys a drawing. A terrible friction materializes between the two of them, the man and the drawing, the latter of which might have been a vision on paper of existence on another plane—a flat botanical realm, rainbow-bright, governed by floating, expressionless heads. The symmetry, the sense of exact echoing across a central median, an inescapable reversibility. Harmony, as a force of relation, dominates; here is the telegraphing of a closed world accessible seemingly only to one. He can’t g
What Natalie Harp Carries (opens the original)
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On September 1, 1987, a military train loaded with munitions coursed out of Diablo Valley, in the East Bay of Northern California. President Ronald Reagan would, through his extralegal maneuvering, put the Marxist Sandinistas in Nicaragua down by force. In the city of Concord, a network of pacifists—many of whom were converts to the path, being veterans of the Vietnam War—organized nonviolent protests of this circuit, the flow of weapons to the Contras, American-backed insurgents in Central Amer
“The Whoopi Monologues” Separates the Actress from the Playwright (opens the original)
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That voice of God filling the basement theatre at Lincoln Center—you know it as well as that of your own mother. The glottal quality, the vowel dilation. It belongs to Whoopi Goldberg, who, in a prerecorded message, coaxed the matinée audience at “The Whoopi Monologues,” an upbeat reimagining of her one-woman show from the early nineteen-eighties, into silencing their phones. The audience was delighted to be coaxed, delighted to hear from Goldberg herself. The proscenium at “The Monologues” is v
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For The New Yorker, the outlet · Measured Aug 1, 2026
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