HeyJaredDonald Brown
- Indexed articles, last 90 days
- 26
- Latest publication
- Sep 2, 2026
- Outlet visibility, for New Haven Review
- Top 10M sites
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- Jul 20, 2026
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New Haven Review (opens the original)
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Review of A Chorus Line, Playhouse on Park A Pulitzer Prize winner in 1976, A Chorus Line, book by James Kirkwood, Jr., and Nicholas Dante, isn’t much of a play. More even than most musicals, it only works because of the songs—music by Marvin Hamlisch and lyrics by Edward Kleban—and the dance routines. That’s fitting, since the play is about the hopes and humiliations, the joys and defeats of trying to maintain a career as a chorus line dancer. I imagine its main claim to distinction, back in th
New Haven Review (opens the original)
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I’m turning 50 next week, and I have to say it's one of those milestones of aging that actually feels like one. Of course, one of the interesting things about being born in a year that ends in ‘9,’ is that you always hit a round number as a decade comes to its end. It was particularly notable to be turning 40 in 1999, as the twentieth century ended; if one lives to be 80, one will have lived 40 years in each century, a neat divide that is appealing for some reason. But, as a milestone age, turni
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Review of Employee of the Year at the International Festival of Arts & Ideas What are the limits of storytelling? How minimal can a story be and still be a story? How temporally episodic is memory? Brought to you by 600 Highwaymen, a husband and wife team based in Brooklyn, Employee of the Year, at the International Festival of Arts & Ideas, is an unusual theater piece. Using young girls under the age of 10 as the show’s only actors would seem to indicate that the action takes place from the poi
New Haven Review (opens the original)
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When Bruce Norris’ Tony-winning Best Play of 2012 Clybourne Park begins its run at the Long Wharf Theatre this week, the play’s relation to Lorraine Hansberry’s A Raisin in the Sun won’t only be a matter of the script. LeRoy McClain, who plays the part of Albert in Part One, set in 1959, and the part of Kevin in Part Two, set in 2009, joined the production immediately after playing Walter Lee Younger, the lead character in Hansberry’s beloved play. In Raisin, Walter Lee manages to all but destro
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The show opens in a dilapidated church that still has lovely stained glass windows and impressive arches but with construction materials littering the floor, in Reid Thompson’s fascinating set. It’s a down-at-heels sacred building, now the home to a group of squatters, many of them children. They come from the shadows to occupy the space and then go into hiding when a troupe of would-be renovators barges in, all giddy with the place’s possibilities as high-end condos. The newcomers discover a hu
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