Dom Lepore
- Indexed articles, last 90 days
- 4
- Latest publication
- Aug 31, 2026
- Outlet visibility, for The Line of Best Fit
- Top 1M sites
- Earliest in this view
- Jul 31, 2026
Latest articles
The Rat Utopia Experiment are on the rise | Interview (opens the original)
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Washington state circus-punk teens in clown makeup, The Rat Utopia Experiment are unleashing caustic rage to impel social change. “We have this circus theme going on. It’s all for a purpose. It’s all for a performance,” Phia Lane, the lead vocalist of The Rat Utopia Experiment, tells me. “We want you to feel like you’re at the circus when you’re watching us. We want that feeling of awe.” Everything culminates in an electric show of polished madness. Fronting the band, Lane’s animated, melodic vo
Sex Mask: "I need to go out and live to get more paint on the palette to write" | Interview (opens the original)
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Melbourne post-punk trio Sex Mask tell Dom Lepore how acting on their authenticity without second thought made them such an enigmatic force. When Sex Mask suddenly emerged a few years ago, they were galvanised from the get-go as authors of stimulating shout-spoken synth-punk songs with an existential edge. If the Bandcamp release date is true, their infectious first single “How to Be Cool at Parties” quietly dropped first thing in 2023, and it best encapsulates them: an arresting monologue of cr
Zoumer is on the rise | Interview (opens the original)
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Zoumer's experimental fusion pop brings the Danish-Algerian diasporic identity of Yasmina Derradj together into one cohesive whole. Yasmina Derradj’s second album as Zoumer – e.a.l. (euro arab lovergirl) – impelled her to walk people through her identities, as she does on its near-eponymous mission statement “euro trash girl”. Atop a confidently strutting beat, Derradj maps her whereabouts from Algiers to Copenhagen in a freestyle embracing her nuance: “I am a different girl, I got mixed up gene
Mallory Hawk takes a bouncy new wave detour on “Superhighway” (opens the original)
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Philadelphia-based songwriter Mallory Hawk’s spirited debut album Chinook is out today, featuring surprising left turns such as this nod to Eastern European darkwave. On the first playthrough of Hawk’s debut solo record, it’s impossible to predict the shiny post-punk of “Superhighway” in the tracklist. Opening cuts like “The Mirror” are owed to cathartic slowcore, plus there’s the fingerpicking Americana of “Four O’Clocks”, and even egg punk on “Caretaker”. A galloping bassline that drives The C
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