HeyJaredDash Lewis
- Indexed articles, last 90 days
- 6
- Latest publication
- Aug 14, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Jul 6, 2026
Latest articles
Open Mike Eagle / Kenny Segal: DOOMED! (opens the original)
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In an interlude during the final stretch of DOOMED!, an unidentified woman lays out the album’s thesis: “Break ups are… tough.” There’s a wincing smile in her voice, and the pause she takes is deep enough to hold all the complexities and contradictions that are revealed when it’s time to cut bait—every argument, regret, sigh, swoon, and silence. Throughout the album, Open Mike Eagle takes that pause, stretches it wide, and turns it upside down, dumping the contents of a recently ended five-year
Gi Gi: In Lieu (opens the original)
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The musician known as Gi Gi understands the magic of a slow burn. In his chillout room, sounds waft from unseen corners into the middle distance, hovering like smoke illuminated by a flashlight. Each of the Texas-born, Melbourne-based producer’s albums has the hazy quality of a sense memory, the unexpected pleasant feeling of deja vu on a spring morning. His tunes seem to curl outward until they take up the whole screen, dazzling, pastel-tinted arrays that organize themselves without drawing att
Juicy J / Project Pat: Dem Goats (opens the original)
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The moment Project Pat starts rapping on “Still the Same,” the first song on his and Juicy J’s new album, Dem Goats, it feels like champagne flutes should be bubbling over in celebration. “It ain’t gon’ never be the same now,” the 53-year-old Pat says with his whole chest, his voice carrying the sincerity and heft of age. As Hitkidd’s beat fades up, Pat meshes with the unbreakable Memphis groove, dropping into a familiar pocket. His staccato enunciations mirror the hi-hats, occasionally adding a
Rick Ross: Set in Stone (opens the original)
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On Set in Stone, Rick Ross’s 12th album, the Magic City rap impresario deems himself the “Miami Martin Scorsese,” a bold, one might say outlandish, claim that nonetheless tracks with his penchant for over-the-top fiction. For 20 years, Rozay has refined a larger-than-life kingpin character, one that directs drug traffic and greenlights hits while anchored in Biscayne Bay, an iced champagne bucket always within reach. He’s created a deep mafioso mythology for himself that’s at odds with his reali
Akusmi: Terra Incognita (opens the original)
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In the lush opening moments of Terra Incognita, composer Pascal Bideau’s new album as Akusmi, it’s as though he were swinging a giant magnet, drawing in every sound that fascinates him. Low piano notes gather tentatively; sostenuto woodwinds hover just above ground level; a rainstick adds contour and shading. As the piano arches into a sparkling glissando, a harp follows suit, carving out space for a light, airy synthesizer drone to materialize. The elements all curl around each other into a bli
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Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
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