HeyJaredClinton Olsasky
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 11, 2026
- Outlet visibility, for Iowa Public Radio
- Top 1M sites
- Earliest in this view
- Jul 24, 2026
Latest articles
Nathan Fielder unravels the lies of Elizabeth Holmes in 'You Can See Everything' (opens the original)
Read excerpt
If you were anywhere near a social media feed this past week, you probably came across an unnerving, one-minute teaser trailer featuring an uncanny close-up of Theranos founder — and convicted fraudster — Elizabeth Holmes. Inches away from Holmes’ eerily blank, wide-eyed stare is Nathan Fielder, the boundary-pushing comedian behind the acclaimed TV series Nathan for You, The Rehearsal and The Curse. The uncomfortable, tension-filled clip isn’t from one of Fielder’s shows, however. It’s a scene f
What we saw at the 2026 Telluride Film Festival: AI debates, Oscar hopefuls and a top-secret screening (opens the original)
Read excerpt
Over Labor Day weekend every year, the remote, idyllic town of Telluride, Colorado, transforms into a movie lover’s dream. First held in 1974, the Telluride Film Festival has long served as the unofficial kickoff to awards season, and has premiered dozens of eventual Oscar nominees and winners throughout its 50-plus-year existence. This year was no exception, with the 53rd year of the festival hosting numerous U.S. and world premieres for films that will no doubt rack up plenty of golden statuet
‘The End of Oak Street’ is full of Spielbergian charm but is far from dino-mite (opens the original)
Read excerpt
No filmmaker wants to be judged against the work of Steven Spielberg. But if you’re making a dinosaur movie, you’re basically asking for it. Writer-director David Robert Mitchell understood this all too well when he made The End of Oak Street, a nostalgia-fueled attempt to revive the dinosaur blockbuster outside the confines of the Jurassic Park and Jurassic World franchise. Anticipating the inevitable comparisons to Spielberg, Mitchell didn’t shy away from the legendary filmmaker’s far-reaching
With ‘The Odyssey,’ Christopher Nolan embarks on his own cinematic homecoming (opens the original)
Read excerpt
After conquering the Oscars with Oppenheimer, Christopher Nolan looked to the ancient past to slay his next filmmaking giant. His target was the Greek poet Homer and his legendary epic about a fate-filled journey home. Facing unreasonably high post-Oscar expectations and entrusted with a famously difficult-to-adapt story, Nolan nevertheless defied the odds (and the gods) with The Odyssey, adding yet another masterwork of epic filmmaking to his unrivaled resume. The Odyssey is a fantastical saga
Publishing over time
Last 90 days. Choose a month to open its work.
Recurring subjects
Named in the text we hold. One piece can cover several.
Audience
Top 1M sites
For Iowa Public Radio, the outlet · Measured Aug 1, 2026
Website popularity band, not a count of readers or article views.
About this data
Counts cover the work we have indexed. Tone needs enough text and a confident classification. Excerpts and episode notes are not full articles or transcripts.
Identity or attribution wrong? Suggest a correction.