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Chuck Fensch

Reporter

Indexed articles, last 90 days
3
Latest publication
Sep 25, 2026
Outlet visibility, for El Paso Inc.
Top 5M sites
Earliest in this view
Jul 30, 2026

Latest articles

  1. Article · Sep 25, 2026 · Chuck Fensch / El Paso Inc.

    The Groove Grotto: The evolution of the SL-1200 turntable (opens the original)

    Excerpt · English

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    For someone who loves vinyl, that seems like a pretty darn serious omission. It’s probably the most recognized and used turntable ever made. Even if you can’t tell a 45 single from a 33⠓ LP, you’ve probably seen one. The SL-1200 is the turntable with the big platter with four rows of dots around it, a pitch slider and four large stabilizing feet. Most commonly, the body, known to us vinylheads as the “plinth,” of the SL-1200 is silver. At 27 pounds, it’s a beast. I’ve owned a few

  2. Article · Aug 27, 2026 · Chuck Fensch / El Paso Inc.

    Groove Grotto: Meitei creates haunting soundscapes of old Japan (opens the original)

    Excerpt · Neutral tone · English

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    If you’re a reader of this column, by now you know I love unusual music. Just one scant week ago, I discovered Meitei. I was immediately obsessed with this Hiroshima-born, Kyoto, Japan-based musician (real name Daisuke Fujita) — an artist who describes his albums as exploring a “lost Japanese mood.” His music was unlike anything I had ever heard; sounds and feelings truly of a Japan long gone yet reimagined in a way that feels otherworldly, timeless and haunting. I discovered his 2018 de

  3. Article · Jul 30, 2026 · Chuck Fensch

    Groove Grotto: The unsung pub pioneers of punk (opens the original)

    Excerpt · English

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    This month, I’m diving into a genre so small and short-lived that it’s almost unknown outside of the U.K. I’m talking pub rock. At its core, pub rock was around for only a couple of years, and it would barely raise a blip in the history of rock music. But its impact was crucial to the early days of punk and some of its biggest heroes. In the early- to mid-1970s, rock music in the U.K. was predominantly focused on large production and technical virtuosity. “Prog rock” groups like Yes, P

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