Christopher Hislop
- Indexed articles, last 90 days
- 2
- Latest publication
- Sep 25, 2026
- Outlet visibility, for No Depression: Roots Music and Culture Journalism
- Top 5M sites
- Earliest in this view
- Aug 13, 2026
Latest articles
ALBUM REVIEW: Hermanos Gutiérrez Trace Their Roots on 'Los Ojos Del Cóndor' (opens the original)
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There is a quiet, deliberate magic to the way the Gutiérrez brothers craft music. On Los Ojos Del Cóndor, the Ecuadorian-Swiss duo of Alejandro and Estevan Gutiérrez (Hermanos Gutiérrez) offer another mesmerizing exercise in instrumental storytelling, trading the sun-baked, wide-open canyons of the American West for the lush rhythms and soaring peaks of South America. Produced once again by Dan Auerbach (of Black Keys fame) and released through Easy Eye Sound, the 10-track record acts as both a
ALBUM REVIEW: Writin’, Singin’, Fiddlin’, and ‘Rattlin’ Bones’ with Bronwyn (opens the original)
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When the needle drops on Bronwyn’s latest record, Rattlin’ Bones, one thing that hasn’t changed and is quickly evident is the linchpin of her music: the incendiary fiddle playing, which is on full display straight through from the album’s opener (and lead single), “Sticks and Stones,” to the closing notes of the finale, “Golden Hour Dream.” That playing is exactly what made her an important piece of Molly Tuttle’s self-proclaimed “dream band,” Golden Highway, of which Bronwyn was a member for fo
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For No Depression: Roots Music and Culture Journalism, the outlet · Measured Aug 1, 2026
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