Christofer Hamilton
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 25, 2026
- Outlet visibility, for Thewrap
- Top 50K sites
- Earliest in this view
- Jul 10, 2026
Latest articles
Spanish and Portuguese-Language Shows Are Surging in Unexpected Places (opens the original)
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Over the past two years, global audience demand for Spanish and Portuguese language series has risen 25%. While cross-border hits are no longer a novelty in streaming, the nature of this growth marks a fundamental shift. This growth has not been driven by regional neighbors or traditional diaspora markets, but by non-traditional export destinations across Asia, Europe and the Middle East. Between 2024 and September 2026, demand for Ibero-American content boomed in several unexpected regions. Maj
'Spider-Man' Is a $940 Million Streaming Revenue Engine | Charts (opens the original)
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With the latest Spider-Man movie swinging into theaters and racking up an impressive box office haul, the industry’s eyes are once again on Marvel’s most iconic webslinger. But while box office grosses often dominate the conversation, a true measure of a modern franchise’s power must factor in its long-term streaming value as well. When we analyze the complete ecosystem of these sprawling superhero universes, a clear victor emerges: Spider-Man isn’t just winning; he’s in an entirely different le
Licensed Shows Now Drive Over Half of Netflix's New Subscribers | Chart (opens the original)
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Netflix estimates that it will spend $20 billion on content this year, which is a 10% increase from last year. And while the cost of Netflix’s originals often gets the spotlight, Parrot Analytics’ Streaming Economics data shows that licensed programming is outpacing originals in driving subscriber growth. The streaming giant remains fiercely committed to marquee original programming, but when we look under the hood of customer acquisition, second-run shows and live partnerships are punching sign
Which Spielberg Movies Make the Most Money on Streaming? | Charts (opens the original)
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Hollywood loves a creative triumph, but in today’s streaming economy, capital allocators are demanding hard evidence of content value to justify investments. As platforms shift away from a growth-at-all-costs mentality and toward a disciplined focus on profitability, evaluating content libraries requires understanding how specific assets drive concrete financial outcomes. Steven Spielberg’s box office bankability is well known, but the reliable and long lasting performance of his body of work on
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Top 50K sites
For Thewrap, the outlet · Measured Aug 1, 2026
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