Christina Yang
- Indexed articles, last 90 days
- 7
- Latest publication
- Aug 19, 2026
- Outlet visibility, for The Upcoming
- Top 5M sites
- Earliest in this view
- Jul 7, 2026
Latest articles
“I loved getting to embody all her weirdness”: Sian Clifford and Samuel Abrahams on Lady (opens the original)
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Samuel Abrahams’s feature debut follows Lady Isabella (Sian Clifford), a lonely aristocrat with grand creative ambitions, who recruits struggling filmmaker Sam (Laurie Kynaston) to document her life at the family estate. As Isabella’s pursuit of fame becomes increasingly outlandish, the film itself takes an unexpected surreal turn. Ahead of Lady‘s theatrical release, Clifford and Abrahams spoke to The Upcoming about the unlikely inspiration behind Lady, the freedom of working in the mockumentary
Love Me Tender | Movie review (opens the original)
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Adapted from Constance Debré’s novel of the same name, Anna Cazenave Cambet’s second feature follows Clémence (Vicky Krieps), a lawyer-turned-writer fighting to regain custody of her young son, Paul (Viggo Ferreira-Redier), as she comes to terms with her queer identity. The legal battle with her ex-husband, Laurent (Antoine Reinartz), simmers in the background as Cambet crafts a poignant exploration of distance – between mother and child, between intention and action, between how women behave an
The Crow Girl season two | Show review (opens the original)
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Most crime dramas returning for a second series spend half an episode setting the scene. The Crow Girl returns as though it had never stopped. Season two begins barely an hour after the first ended, carrying its characters straight from one crisis into the next, before wounds have healed or relationships have had time to settle into a more convenient shape. It is an unusually effective way to resume the story: the tension survives intact, while Milly Thomas’s screenplay is free to deepen what is
“It’s a relentless train of thrilling drama”: Eve Myles and Katherine Kelly on The Crow Girl season two (opens the original)
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Picking up just an hour after the events of the finale, the second season of The Crow Girl follows DCI Jeanette Kilburn (Eve Myles) and psychotherapist Dr Sophia Craven (Katherine Kelly) as they are drawn into a disturbing new murder investigation. As the pair navigate an increasingly complex relationship, a grotesque discovery within a church wall points them towards a new killer, while Sophia begins to suspect that her former patient, Victoria Burkeman (Clara Rugaard), may be connected to the
The Dark | Show review (opens the original)
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Set in the rural Scottish Highlands, ITVX’s The Dark begins in familiar crime thriller territory: the body of a young man, eerily staged in the wilderness, and a detective pulled into a case that clearly has further to run. At first glance, the six-episode series has all the makings of a standard serial-killer drama: a predator to catch, a community on edge and a trail of violence through remote, ominous terrain. But the story becomes increasingly compelling as each new lead draws the case furth
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