Chris O'Falt
- Indexed articles, last 90 days
- 18
- Latest publication
- Sep 29, 2026
- Outlet visibility, for Indiewire
- Top 100K sites
- Earliest in this view
- Jul 4, 2026
Latest articles
Why âPrimetimeâ Doesnât Look Like Any Movie Youâve Seen Before (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. Before “Primetime” director Lance Oppenheim had seen formative films like Abbas Kiarostami’s “Close-Up” or Orson Welles’ “F for Fake,” in which masters of cinema blurred the line between fiction and reality, he had watched “To
Aaron Sorkin Was His Own ‘Second Choice’ to Direct ‘The Social Reckoning’ â David Fincher Was His First (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. “The Social Network” broke through in a way no one expected, becoming a bigger box office, critical, and awards success than anyone, including its screenwriter Aaron Sorkin, ever anticipated. “It did surprise me,” said Sorkin
How Trump’s Call for a Federal Film Production Incentive Could Actually Help Hollywood (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. It can be hard to put too much stock in what President Donald Trump writes on Truth Social or says seemingly off-the-cuff when talking to the press, but Monday’s rambling post was a very big deal for Hollywood. “I am going to
‘The Social Reckoning,’ ‘Cliff Booth,’ and ‘Artificial’ Had Reshoots. Why Is That a Disaster? (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. When the “The Social Reckoning” teaser trailer dropped in June, many on film Twitter saw it as confirmation that the sequel was destined to disappoint. After the Yin Yang pairing of screenwriter Aaron Sorkin and director David
Matt Johnson on Feeling âTrappedâ Shooting âTony,â Josh Safdie’s Advice, and If Bigger Hollywood Films Are Next (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. Anthony Bourdain compared a restaurant kitchen to a pirate ship, a “dysfunctional, mercenary lot” of misfits embracing chaos with an outlaw spirit, adrenaline, and camaraderie. It’s an analogy that could also apply to the char
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Audience
Top 100K sites
For Indiewire, the outlet · Measured Aug 1, 2026
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