HeyJaredCharumathi Supraja
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 11, 2026
- Outlet visibility, for Hindustantimes
- Top 5K sites
- Earliest in this view
- Jul 22, 2026
Latest articles
Report: Bag Dancing by Butai (opens the original)
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Imelda is a “bag lady” – a derogatory term used for homeless people in her city. Neville works in a shelter that where she hopes to rest for a night. Their unlikely if rather prickly friendship is what playwright Mike Kenny’s Bag Dancing depicts as song, dance and stories pouring out of bags as unseemly objects. Produced by Butai, a theatre group from Bengaluru, the play has been making the rounds of theatres across the country. Surabhi Herur brings to life the play’s central character, Imelda,
Review: A Woman of No Consequence by Kalpana Karunakaran (opens the original)
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Many writers transform familiar folk into characters in their novels. Writers’ families especially supply complex and rich characters that surpass anything the imagination can create. Permissions and consent enter the scene in the context of memoirs, autobiographies and biographies. Even if the goal is self-expression and reflection, how much can be revealed? How much of a risk is the writer willing to take with their family relationships? What is at stake in the creative and often cathartic pro
Review: Doordarshan Diaries by Sheila Chaman (opens the original)
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Once upon a time, there was no television in India. This is a true story. When TV did arrive in the mid-1960s, the black and white transmission of regional programmes that focused on agriculture and education was limited to a few hours and to few cities. Colour TV was launched in India in 1982 and inform, educate and entertain the masses it did but still within neat boundaries of transmission time and in a very prim fashion. Doordarshan Diaries – the Golden Era of Television by Sheila Chaman, a
Akram Abdulfattah: “Music can remind us of our shared humanity” (opens the original)
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How did you choose the violin or how did it choose you? Tell us about your training and early years in music. I feel the violin chose me as much as I chose it. Growing up in a traditional Palestinian village, music was part of my daily life, especially at family gatherings. I started with rhythm first – learning darbuka with Atteya Abdulhalim, one of the masters of the instrument in Galilee. With the help and direction of my uncles Foad and Mowaffak and father Mohammed, I was able to accompany t
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Top 5K sites
For Hindustantimes, the outlet · Measured Aug 1, 2026
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