HeyJaredCat McCarrey
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 17, 2026
- Outlet visibility, for The Austin Chronicle
- Top 1M sites
- Earliest in this view
- Aug 13, 2026
Latest articles
A Pandora’s Box of a Recipe Box • The Austin Chronicle (opens the original)
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The front porch is basically the symbol of Southern hospitality, the ideal locale to socialize on warm Louisiana nights. In The Recipe Box, it’s all that and more. For Austin Rainbow Theatre’s regional premiere of Del Shores’ latest work, scenic designer Kevin Brown has crafted an absolute dream of a front porch at Ground Floor Theatre: planters and flower boxes surrounding a swing, and not one, but two lovely tables to sit and take in the view. It’s a place made to watch lightning bugs and sip
Lean Into Love With And She Was Loved • The Austin Chronicle (opens the original)
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These three principles guide Zell Miller III’s And She Was Loved, the inaugural performance of Black Rose Theater ATX. It’s a perfect entrance for a company dedicated to, as their mission states, telling “American love stories through an African American lens.” They’re a sorely needed voice for Austin, where spaces for those stories are being diminished. Black Rose’s first season lineup elevates Austin’s Black voices, including future partnerships with dynamic organizations like Black Pearl Book
Encouraging Art Without Boundaries in Creative Resistance • The Austin Chronicle (opens the original)
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Hearing Eliot Gray Fisher and EG Gionfriddo describe the results of their mentorship program meant to run Austin dance artists through self-producing, ARCOS Presents: Creative Resistance, is like witnessing a firework of ideas. The co-directors of ARCOS – a multidisciplinary group that combines tech with art – keep explaining the two pieces’ expanding concepts, ideas bursting outward with bright excitement. Take their description of Lichen Bouboushian’s era-spanning saga Rupture: Sneak, based on
Sink Into Psychosexual Absurdity • The Austin Chronicle (opens the original)
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In the HBO series’ futuristic setting, people could purchase immersive themed experiences, like a wild Western adventure filled with automatons customers could harass and harm to their hearts’ content. An artificial world filled with artificial people, but driven by actions fueled by intense emotions. I kept thinking about it while watching Mad Cat Theatre and Dirty Gold Theatre’s production of The Maids. Something about the layers of deception in Jean Genet’s 1947 script struck a similar chord
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For The Austin Chronicle, the outlet · Measured Aug 1, 2026
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