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- Indexed articles, last 90 days
- 8
- Latest publication
- Sep 15, 2026
- Outlet visibility, for The Austin Chronicle
- Top 1M sites
- Earliest in this view
- Jul 16, 2026
Latest articles
Oasis: Don’t Look Back in Anger Review: It’s Not Just Rock & Roll • The Austin Chronicle (opens the original)
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Fathers and sons united in song. Girlfriends hugging and crying. A lone lad standing post-show, red-faced and awestruck, as a stadium of 80,000 begins to clear out. In a sea of Adidas bucket hats and pints of Guinness, these are the images memorialized, with dramatic flair and vibrant color, in Oasis: Don’t Look Back in Anger, the documentary lionizing the Manchester mammoths’ astonishing, unanticipated 2025 reunion tour. Though the musicians who frequently declared themselves the best band in t
Angine de Poitrine, Peter Hook & the Light, Uncle Acid & the Deadbeats, and More Reviews From Saturday and Sunday of Levitation • The Austin Chronicle (opens the original)
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Shortened sets be damned, Levitation 2026 finished strong. Saturday’s post-punk showcase at the Far Out Lounge connected Peter Hook’s trailblazing bass to Automatic’s contemporary synthesized doom, while viral Quebec duo Angine de Poitrine proved at a sold-out Stubb’s show that their microtone experimentation is the real deal. From Elder’s prog evolution to Uncle Acid & the Deadbeats’ third time Levitating, Sunday’s closing Far Out lineup pushed the boundaries of what our psychedelic festival ca
Arlo Parks, Gibby Haynes, Bikini Kill, and More Reviews From Thursday and Friday of Levitation • The Austin Chronicle (opens the original)
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The club-hopping has commenced. Back to its choose-your-own-adventure format, Levitation kicked off Thursday night with lots of synths on Red River and post-punk at the Ballroom, before Friday’s tentpole show at the Far Out Lounge saw legendary punks Gibby Haynes and Bikini Kill bookend a fiery set from torchbearing young locals Die Spitz. Read the Chronicle’s recap of the festival’s first two nights below, and find more reviews from the rest of the weekend come Monday morning. Soft-spoken songw
Shape-Shifting TOMGIRL Quentin’s Situationship Sugar Rush • The Austin Chronicle (opens the original)
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It’s situationship summer – didn’t you hear? On his first official full-length solo album, shape-shifting TOMGIRL Quentin rolls through contemporary dating’s most universal humiliation ritual with buoyant pop-rock glee. Glistening synths and driving bass propel the genderfluid songwriter through the early stages of one-sided infatuation: “Just a girl who loves fiction,” she chirps, unbothered, on opening reverie “PEANUT BUTTER CIGARETTES,” before a grim guitar melody on “revolve” hints at the re
Hopeful and Resolved, Olivia Rodrigo’s Daisy Chain Fields Festival Connects Women of All Ages • The Austin Chronicle (opens the original)
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In babydoll dresses and bloomers, wearing flower crowns and carrying handheld fans, mother-daughter duos traipsed from one’s favorite band to the other’s. As Bikini Kill called for a revolution and Doechii sampled Beyoncé, they tied hopes and dreams to Yoko Ono’s Wish Tree and snapped photos in front of a hot-pink Jenny Holzer truism in a vision of Lilith Fair resurrected. As 14 all-women acts performed across two stages in Irvine, California’s Great Park, a smattering of larger-than-life, Seven
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For The Austin Chronicle, the outlet · Measured Aug 1, 2026
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