HeyJaredThomas H. GreenMonday
- Indexed articles, last 90 days
- 3
- Latest publication
- Aug 31, 2026
- Outlet visibility, for Theartsdesk
- Top 5M sites
- Earliest in this view
- Jul 20, 2026
Latest articles
Dexys Midnight Runners' 'LOVE' muses on the past but is not their most loveable outing (opens the original)
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We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. Since their reappearance in 2012 they’ve been called Dexys but for their seventh and, possibly, final album, they return to the name of their 1980s glory years: Dexys Midnight Runners. Head honcho Kevin Rowland has travelled an idiosyncratic path, which is what artists
Hyper-speed Brazilian metallers AXTY reinvigorate riff-extremity on 'The Pain Made Me Who I Am' (opens the original)
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We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. Like electronica, metal is an umbrella term that contains multitudes of micro-genres. How do you fancy sludge, blackened crust or funeral doom? And that’s just scraping the surface. One of the more common ones is metalcore, a portmanteau word for the heaviest metal cras
Shania Twain's nostalgia-tinted 'Little Miss Twain' proves more varied and entertaining than anticipated (opens the original)
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We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. I didn’t want to review Shania Twain. My sense of her is of ancient mega-selling hits I can’t stand. I didn’t even go to her Sunday afternoon set at Glastonbury 2024. But it’s difficult to get most music writers to cover the biggest pop stars of our era. So here we are.
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