Robin Vincent
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 17, 2026
- Outlet visibility, for Sound on Sound
- Top 500K sites
- Earliest in this view
- Jul 23, 2026
Latest articles
Studio Pro: Pitch Curves For Audio Clips (opens the original)
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Studio Pro’s new Pitch Curves feature has both creative and corrective uses. Pitch Curves can be enabled either in a clip’s right‑click menu...A new feature introduced with version 8.1 of Fender’s Studio Pro is Pitch Curves for audio clips. This function mirrors the existing Gain Curve workflow, but delivers very different outcomes. It can be used for simple pitch correction, but it really comes into its own when used creatively to play with the frequency content of your audio clips. Before we g
Studio Pro: The CV Instrument (opens the original)
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The CV Instrument plug‑in. As of version 8.1, this now includes four modulation slots, which by default are filled with two LFOs and two ADSR envelopes. You can route these to any audio output on your interface, but the outputs must be DC‑coupled. Integrate your modular into Studio Pro using the newly updated CV Instrument. We last explored the CV Instrument in version 7. It’s an understated plug‑in that translates MIDI notes into CV pitch and gate voltages for playing external modular and analo
Shakmat Ballista Blast (opens the original)
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Carving out a lot of functionality in a 12HP module is the Ballista Blast from Shakmat. It’s a hybrid synthesizer voice that lets you play with three synthesis engines, four analogue filter types and an analogue processing chain through an overdriven VCA or LPG. It has a built‑in envelope that can control four things at once, some interesting parameter randomisation, and you can store up to 256 of your favourite sounds and configurations. The three oscillator engines are Classic (subtractive), W
ATOV Faderpunk (opens the original)
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The Faderpunk is much more than just a control surface... ATOV’s relationship with fader banks started in 2019 when they took on the open source 16n‑faderbank, devised by Sean Hellfritsch and Brian Crabtree. It was a simple idea of having a box of 16 faders that could output MIDI CC, CV and I2C controller data for controlling modular, synths and software. Following tweaks and suggestions from the Berlin Modular community, Arthur Gilbert created the AtoVproject and set about redesigning the fader
Fender Studio Pro 8.1 (opens the original)
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Need some inspiration? Studio Pro’s Moises AI integration means you can now generate tracks in your DAW using a text prompt. The latest version of Studio Pro introduces some serious AI firepower, thanks to a collaboration with Moises. I don’t think anyone will be that surprised to see AI turning up as an integrated feature in a DAW. There’s been a looming inevitability about it. The power to aid you in completing a task, to separate music into component parts, and to fill in the gaps in your own
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