HeyJaredJenny Farrell
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 30, 2026
- Outlet visibility, for People's Weekly World – New York City
- Top 5M sites
- Earliest in this view
- Aug 12, 2026
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William Morris: Art, revolution, and the dream of a different society (opens the original)
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It is 1890. While Britain is aggressively expanding its global empire, its domestic industries are increasingly dominated by mechanized production and growing concentration of capital, and the industrial proletariat is becoming ever more alienated from the products of its labor. In The Commonweal, a remarkable utopia describes London in 2102: the Thames is clean, work is a pleasure, profit and alienation are forgotten. Its author is the socialist William Morris. Its title: News from Nowhere. Mor
Contested memory: The German Democratic Republic and its erasure (opens the original)
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I have been asked many times about life in the GDR, where I was born and grew up. So, I am opening a blank page on my laptop to note some thoughts. Following the defeat of fascism in Germany – above all by the Soviet Union – the country was divided into four zones administered by the USSR, the US, Britain and France. With the onset of the Cold War, the three Western zones were consolidated into one, separate from the Soviet zone, which comprised about a third of the country in the north-east. In
Titian and the crisis of Renaissance humanism (opens the original)
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The 450th anniversary of Titian’s death on 27 August 1576 is a good opportunity to revisit the Venetian master—an artist whose long career coincides with and sheds light on the early capitalist era. Titian’s seventy-year creative life spanned nearly three-quarters of the sixteenth century, a time of profound social transformation. Titian’s art bears witness to the enduring spirit of humanism in this rapidly changing world. The British Marxist art critic John Berger argues that Titian was among t
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For People's Weekly World – New York City, the outlet · Measured Aug 1, 2026
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