Bruno Irace
- Indexed articles, last 90 days
- 37
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- Oct 1, 2026
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- Jul 8, 2026
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The UK's Top Collectables - from Rock to Reggae - Record Collector Magazine (opens the original)
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Just ahead of the publication of the 19th Rare Record Price Guide, we have, this month, gone to town (literally: our office is in Fleet Street) and made the latest issue a special on the subject of collectables. Notice that it is divided up into genres. When I were a lad (adopts northern Hovis-TV-ad accent) it were all youth subcultures round these parts: punk (anarcho or otherwise), skin, Ted, soul boy, mod, metalhead, and so on. In the world of collecting, people still do break things down int
Elvis Costello | My Aim Is True | Album Review - Record Collector Magazine (opens the original)
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No doubt that Declan McManus’s aim really was true when he recorded this album, changing his name in the process, the start of an iconic lifetime adventure. Perhaps somewhat surprising at the time given that, despite being on the hip Stiff label and produced by Nick Lowe, just then making a name for himself, it was recorded with American country-rock combo Clover. Still, this was the time of punk and anything could happen… and it did. The songwriting, the voice, the curiously madcap image that s
The Beatles | Rubber Soul | Album Review - Record Collector Magazine (opens the original)
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Rubber Soul – The Beatles’ sixth album in 33 months – was released on December 3, 1965, a mere five months after the premiere of their Help! film and soundtrack. In the period between the two LPs, the group had toured America for the second time, met Elvis, played Shea Stadium, smoked a prodigious amount of marijuana, three of them had taken acid properly, and, oh, just before, been awarded an MBE for “recognising the great good and happiness that the Beatles have brought to millions throughout
Birth School Work Death! Steve Hackett, ex-Genesis guitarist… on the soundtrack to his life - Record Collector Magazine (opens the original)
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Martha & The Vandellas Dancing In The Street (Stateside SS 345, 7”, UK, 1964) £20 I first heard this at Battersea funfair when I was about 14 years old. There were groups of young teenagers standing about, all the girls on one side, boys on the other, everyone afraid to talk to each other. This song was a kind of exhortation towards movement worldwide, but that really wasn’t what was going on in those teenagers’ lives at that point. Later on, I did actually meet Martha Reeves and congratulate he
Under The Radar - This Month: Marsha Hunt - Record Collector Magazine (opens the original)
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Born in Philadelphia in 1946, actor, singer and former model, Marsha Hunt, moved to London in February 1966. After appearing as an extra in Antonioni’s Blow-Up, she became a backing singer in Alexis Korner’s Free At Last before commencing a brief relationship with bluesman John Mayall. On his album, The Blues Alone (1967), he wrote and dedicated Marsha’s Mood and Brown Sugar to his fleeting muse before she departed to join Bluesology with Long John Baldry and a hirsute Reg Dwight. After a short-
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