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Bilge Ebiri

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Sep 18, 2026
Outlet visibility, for Vulture
Top 50K sites
Earliest in this view
Jul 17, 2026

Latest articles

  1. Article · Sep 18, 2026 · Bilge Ebiri

    How Drive — and Almost Dying — Changed Nicolas Winding Refn (opens the original)

    Excerpt · Neutral tone · English

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    Fifteen years ago, Nicolas Winding Refn released the Ryan Gosling–starring Drive, and everything changed forever. At least for him. For starters, Drive’s dreamy and unabashed aestheticism represented a break from the rougher, more visceral films on which Winding Refn had built his reputation. The Danish director’s Pusher trilogy (which was restored and rereleased last year) had been handheld, hyperrealistic, and savage; Drive, on the other hand, was ethereal and moody, its characters submerged,

  2. Article · Sep 2, 2026 · Bilge Ebiri

    The Best Movies of the Year So Far (opens the original)

    Excerpt · Positive tone · English

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    Vulture’s critics are tracking the highlights of this year in film, from blockbuster adaptations to low-budget originals and everything in between. Check back each month for the latest additions, which are noted with an arrow. Movies are organized chronologically by their U.S. theatrical-premiere date with the most recent at the top. David Kittredge’s documentary about the making of John Boorman’s disastrous 1977 Exorcist sequel, The Heretic, is hugely entertaining, energetic, and insightful. I’

  3. Article · Jul 17, 2026 · Bilge Ebiri

    Christopher Nolan Explains the ‘Key’ to The Odyssey’s Ending (opens the original)

    Excerpt · Neutral tone · English

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    Every Christopher Nolan movie has a secret. For all their forward charge, his films center narratives that turn around ideas or past incidents kept at least partially hidden until the very end. Once revealed, they shed new light on everything else. We could call them twists — but they’re not really twists. They’re not even all that heavily concealed. The films tease these ideas throughout so when the reveal finally comes, the effect is not so much of a rug being pulled out from under us as it is

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