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- Indexed articles, last 90 days
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- Latest publication
- Aug 26, 2026
- Outlet visibility, for Studiointernational
- Top 5M sites
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- Aug 17, 2026
Latest articles
Audrey Amiss: The Surviving Exhibitions (opens the original)
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Audrey Amiss: The Surviving Exhibitions, installation view, Wellcome Collection, 10 July 2026 – 7 February 2027. Wellcome Collection, London 10 July 2026 – 7 February 2027 Audrey Amiss (1933-2013) was an artist of immense strength and courage. Bold, brave and fearless, she made work in almost every medium imaginable despite the many obstacles put in her way. This exhibition honours Amiss’s achievements and shares her work as an artist and campaigner, showing how she used her artistic practice to
Edinburgh Art Festival 2026 (opens the original)
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Sgàire Wood, In Pride, In Piety, In Vigilance, Jupiter Artland. Part of EAF26. Photo: Neil Hanna. Various venues, Edinburgh 14-30 August 2026 Since 2023 I’ve spent a couple of days every year in August running around Edinburgh taking in the inevitably mixed bag that is Edinburgh Art Festival (EAF). This year was no different. Once again, a small dedicated curatorial team, led by director Kim McAleese, programmed the two-week-long festival with a very light hand. Core exhibitions curated and comm
Hepworth in Colour (opens the original)
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Installation view, The Joseph Hage Aaronson & Bremen Exhibition, Hepworth in Colour, Courtauld Gallery. Photo © Fergus Carmichael. Courtauld Gallery, London 12 June – 6 September 2026 While the work of Barbara Hepworth (1903-75) is well known, little attention has been paid to the significance of colour in that work. This utterly fascinating exhibition changes that entirely, revealing, for the first time, the innovative interplay of colour in her drawing, painting and sculpture. As late as 1970,
Anni Albers: A Life â book review (opens the original)
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Anni Albers: A Life by Nicholas Fox Weber, published by Yale University Press. Nicholas Fox Weberâs biography of Anni Albers (1899-1994) is not what you might expect. Often, there can be a sense of authorial distance in such biographies but not here. Instead, Weber has written an intimate text that draws on more than two decades of conversation with his subject. The pair were introduced by a mutual friend in 1971. At this point, Weber explains, he didnât even realise that the better-known Jo
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