Barry Schwabsky
- Indexed articles, last 90 days
- 1
- Latest publication
- Sep 30, 2026
- Outlet visibility, for The Nation
- Top 500K sites
- Earliest in this view
- Sep 30, 2026
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The Carnival of Venice Biennale (opens the original)
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That so much of the art of “In Minor Keys” is muted in effect is ironic, because so much of it is overproduced, aspirationally eye-catching, and so big. No exhibition is more inherently political than the Venice Biennale, thanks to its peculiar structure of “national participations” (better known as pavilions) in addition to a central curated show. But no Biennale in decades has been more shaken by political turmoil than this year’s edition, the 61st, which opened in May and will remain on view—
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