Bailey Brantingham
- Indexed articles, last 90 days
- 5
- Latest publication
- Sep 29, 2026
- Outlet visibility, for Nashville Scene
- Top 1M sites
- Earliest in this view
- Jul 9, 2026
Latest articles
Kacey Musgraves Has the Balls to Go All-Out at Bridgestone (opens the original)
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Kacey Musgraves has never been one to do things halfway. The genre-bending country luminary brought her Middle of Nowhere Tour to Bridgestone Arena Sunday and Monday, turning the home of the Predators into a glittering fever dream complete with a live horse, fireworks, a pair of anatomically correct disco balls and a surprise special guest. For all its excess, the spectacle felt unmistakably Musgraves, a natural extension of her signature full-send flair. Country-Americana champions Flatland Cav
Melissa Etheridge, Maggie Rose and More Light the Fire at 3rd and Lindsley (opens the original)
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AmericanaFest came roaring out of the gate with a heap of enticing shows on Tuesday. We kicked off our festival week at 3rd and Lindsley. This year the venerable venue is celebrating its 35th anniversary, and this gig with a packed house felt like a fitting way to mark the occasion. On the bill were five women who are champions in the amorphous genre, all with new music to share and plenty of familiar favorites up their sleeves. Folk-schooled rocker Olivia Wolf took the stage first (to say âwa
Houston Kendrick Uses Evolution to Spark Revolution (opens the original)
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âI, Houston Kendrick, am here to make a massive change in the way we listen to R&B music, the way we look at Black and queer people and the way that we consume Blackness and queerness.â Itâs a lofty declaration, but Kendrick isnât shying away from it, nor is he asking for permission. The Nashville R&B artist is making good on his promise with his LP Portrait of a Boy on Fire. Released Aug. 21, the album is a natural evolution for Kendrick: a maximalist marriage of R&B, Blackness, queerne
Lip Critic and Friends Spin Heavy, Heady Tales at The ’58 (opens the original)
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The rain was relentless on Saturday afternoon, giving the revelers at East Nashvilleâs annual Tomato Art Fest a cold shower. Sodden but undeterred, a collection of local weirdos tramped up Gallatin Pike to The â58 (with a capacity of 225, itâs the middle-sized of Eastside Bowlâs three show spaces) to finish out their night with some New York-style electro-punk mayhem. Music Cityâs Impediment and Soot joined Brooklyn digital hardcore standouts Lip Critic for the Nashville stop on their
Caroline Rose Hits Back With ‘Yip Yip Yow,’ Pop-Up Shows (opens the original)
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After a yearlong drought, genre-bending pop purveyor Caroline Rose has reemerged with a renewed sense of purpose â and a healthy disdain for the current live-music industry. Fresh off the release of the long-awaited piece of âbeloved trashâ that is âYip Yip Yow,â a song that spent more than a decade as a live-only fan favorite, Rose is kicking off a new era with a string of pop-up shows at secret locations starting in July. The under-the-radar gigs also serve as Roseâs personal figh
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Top 1M sites
For Nashville Scene, the outlet · Measured Aug 1, 2026
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