HeyJaredAnnabel Keenan
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 30, 2026
- Outlet visibility, for The Art Newspaper - International art news and events
- Top 500K sites
- Earliest in this view
- Jul 7, 2026
Latest articles
Kent Monkman’s first public sculpture is a condominium for beavers on Toronto’s waterfront (opens the original)
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Thousands of years ago, giant beavers roamed North America. Distant relatives of the creatures we know today, the bear-sized animals became extinct at the end of the last Ice Age, their reign ending with the changing climate. Now, larger-than-life beavers are returning to Canada in the form of a permanent public sculpture by the Cree artist Kent Monkman. Gracing Toronto’s revitalised Port Lands waterfront as part of the new Lassonde Art Trail, The Colony (2026) is Monkman’s first public sculptur
Can triennials reduce their environmental impact? St Louis’s Counterpublic hopes to be a model (opens the original)
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As temporary exhibitions often staged in civic spaces, biennials and triennials are tricky operations to produce at all, let alone while keeping environmental sustainability top of mind. The environmental challenges apparent in all art world activities remain: packing, shipping and energy consumption, to name a few. But with events like triennials, there are often new commissions involved and temporary infrastructure needed, amplifying the issues the industry faces more broadly. Rather than swee
Artists visualise environmental fragility and resilience on New York’s Governors Island (opens the original)
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When Dutch colonists arrived in New York Harbour in the early 17th century, they settled on Paggank, a small plot of land now known as Governors Island. At the time, they encountered an estuary teeming with oyster reefs and land covered in shells and middens, piles with food remnants and cultural artefacts formed by Lenape people for generations. As European settlers continued to arrive, Governors Island became a contested area, the Lenape were displaced and their middens slowly disappeared. Ove
The Nevada Museum of Art puts sustainability at its core (opens the original)
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In the high desert of northern Nevada, where drought, wildfire and rising temperatures have become part of the everyday vocabulary, the Nevada Museum of Art (NMA) has positioned itself as both a cultural institution and a laboratory for environmental thinking. That ambition is visible not only in the museum’s programming but in its operations, governance and public identity. Since its founding in 1931, the museum has had environmentalism in its DNA. One of its co-founders, James Church, was a pi
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