HeyJaredAnna McNay
- Indexed articles, last 90 days
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- Sep 8, 2026
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- Aug 17, 2026
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Miranda Boulton â interview (opens the original)
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At its simplest, Miranda Boulton (b1973, Cambridge) paints flowers; in a little more depth, her abstracted paintings deal with questions of memory and time. Using the process of slow-looking, she spends hours with other artistsâ floral still-lifes, absorbing them and committing them to memory. Then she settles down to paint, allowing memories of the work(s) she studied to intermingle with things that happened that morning and thoughts running through her mind. The output is series after series
The Pattern of Life: Enid Marx and Modern British Design (opens the original)
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Enid Marx, Ziggurat, 1933. Handblocked textile, Victoria and Albert Museum, © The Estate of Enid Marx. Compton Verney, Warwickshire 18 July 2026 – 3 January 2027 Born in London to an entrepreneurial, upper-middle-class, German-Jewish family, Enid Crystal Dorothy Marx (1902-98) grew up with the ambition, inspired by her father who had himself produced numerous patents, to make design available to the wider public by harnessing the machine age. Marx studied painting at the Central School of Arts a
Flare-Up (opens the original)
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Jamila Prowse, Flare: the muted outline of a body in bed as a camera flash overtakes the scene [still], 2025. Goldsmiths CCA, London 21 May – 16 August 2026 The precept of this exhibition is that a lot of illness and disability, even with today’s increased advocacy and awareness (for example, the sunflower lanyard scheme), remains invisible to the masses. To quote from the blurb: “Within this exhibition, disability is understood as produced by inaccessible environments, institutions and social a
Ana Mendieta (opens the original)
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Ana Mendieta, Bird Run 1974, installation view at Tate Modern 2026. Artwork © The Estate of Ana Mendieta Collection, LLC. Licensed by Artist Rights Society (ARS), New York. DACS 2026. Photo © Tate (Yili Liu). Tate Modern, London 15 July 2026 – 17 January 2027 What a coup, as Tate’s interim director, Catherine Wood, said in her introduction to the press view, for Tate to be hosting three blockbuster exhibitions by three exceptional female artists alongside one another: Tracey Emin, Frida Kahlo an
Richard Dadd: Beyond Bedlam (opens the original)
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Henry Hering, Portrait of Richard Dadd, c1857. Photographic print, 20 x 15.5 cm. Courtesy of Bethlem Museum of the Mind. Alex Fox (Roy Fox Fine Art Photography). Royal Academy of Arts, London 25 July – 25 October 2026 If you have heard of Richard Dadd (1817-86), it will doubtless be on account of his fairy paintings, but these number only five out of a much wider catalogue raisonné. His is another case of biography taking over from art, with the artist spending 42 years locked up in asylums afte
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