Anna Brady
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 14, 2026
- Outlet visibility, for The Art Newspaper - International art news and events
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- Jul 10, 2026
Latest articles
Marlow Moss, overshadowed De Stijl pioneer, gets first London show in decades (opens the original)
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Over half a century on from her last London commercial gallery show in London, the British artist Marlow Moss (1889-1958) is the subject of an extensive exhibition opening today at Ward Moretti at 12 Duke Street, St James’s. Marlow Moss: Space, Movement & Light (14 September-30 October) brings together 30 paintings, works on paper and one sculpture by the Constructivist and Neoplastic artist. A Jewish non-binary lesbian, uncompromising and exacting in her practice, Moss was before-her-time yet r
When galleries go bust, artists and collectors can struggle to recover their works—here, legal experts offer advice (opens the original)
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One of the thorniest aspects of the recent insolvencies of Stephen Friedman, Arusha and Simon Lee galleries has been the number of artists and collectors left struggling to recover works that they consigned in good faith but without written agreements. As unsecured creditors, such consignors are at the bottom of the pile when it comes to recouping their losses when a business goes bankrupt. But all is not lost, if they act fast, says Petra Warrington, a partner at the London law firm Wedlake Bel
Museum acquisitions round-up: a Kandinsky ‘Improvisation’ and a canvas by Minimalist pioneer Agnes Martin (opens the original)
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In 1909, the Russian painter Wassily Kandinsky (1866-1944) started producing his Improvisations, a spontaneous and, in Kandinsky’s words, “chiefly unconscious” series of pioneering explorations into abstraction. Improvisation 21 was made at a pivotal time for Kandinsky—the year he co-founded Der Blaue Reiter (the Blue Rider) group and published his essay “Concerning the Spiritual in Art”. Only around 30 Improvisations are known to survive, many of them in museum collections such as the Metropoli
Christie’s and Sotheby’s 2026 half year results: trophy lots and luxury goods fuel rebound (opens the original)
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Christie’s and Sotheby’s have both reported a significant rebound in their overall global sales during the first half of 2026. First-half (H1) revenue at Christie’s stands at $4.5bn, with public auction sales up 71% year-on-year at $3.5bn (2025: $2.1bn), and a sell-through rate of 91% per lot (2025: 87%). Private sales for Christie's stand at just over $1bn so far this year. Sotheby’s H1 figures are markedly similar—public auction sales amount to $3.4bn, up 59% on 2025, with a sell-through rate
Auction houses made significant recoveries in 2026, ArtTactic report finds (opens the original)
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Global auction sales at Christie's, Sotheby's and Phillips were up 70% year-on-year in the first half of 2026, at $6.8bn (including fees), according to a report released this week by the analysts ArtTactic. After two weaker years, it is the best first-half performance since 2022. The strongest growth was seen in London, where total sales rose 131% to $1.42bn according to the report, only slightly short of the $1.47bn recorded in the first half of the post-Covid bounce back year of 2022. Overall
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