Andrew Daly
- Indexed articles, last 90 days
- 41
- Latest publication
- Oct 1, 2026
- Outlet visibility, for Guitarworld
- Top 50K sites
- Earliest in this view
- Jul 7, 2026
Latest articles
“I got a call from Motown. We started playing behind a bunch of acts that had no names. They became The Temptations and The Supremes”: Adaptable, sampled and revered, Leo Nocentelli shares stories from a session career that began at 13 years old (opens the original)
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As a teen, Leo Nocentelli lent his licks to Motown’s biggest and brightest stars. In his 20s, he formed funk legends The Meters. Beyond that he’s worked with Albert King, Paul McCartney, Etta James and Peter Gabriel. He wrote hits including Sophisticated Cissy and Cissy Strut – but he took little to no credit. “I did what I had to do,” he says. “But I don’t owe nobody nothing. I really didn’t owe nobody from Jump Street. I did it because that’s the way my heart is.” He believes his appeal – for
“My best guitar-buying tip? Don’t plug it in”: Wishbone Ash’s Andy Powell on his undying love for the Flying V and how his guitar journey began with a packet of Rice Krispies (opens the original)
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This month on Bought & Sold, Andy Powell of Wishbone Ash fame drops in to talk all things guitar, from first loves to his current live rig, gear regrets and the answer to some of the guitar world's most difficult questions… What was the first serious guitar that you bought with your own money? It was a Burns jazz guitar. Burns hooked up with, I think, Rice Krispies and if you entered this competition on the back of the cereal box, you could win this guitar. There was no chance that I would win,
“The Rockestra was quite a session – I was in the guitar section with Denny Laine, Hank Marvin, David Gilmour and Pete Townshend”: Laurence Juber on his bass lesson from Paul McCartney and the making of Wings’ 1979 swan song (opens the original)
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Laurence Juber grew up a Beatles fan, which isn’t exactly uncommon, especially among the generation of British musicians born in the early ’50s. “When I started playing guitar in November 1963, it was during the breaking wave of Beatlemania in the U.K.,” Juber tells Guitar World. “The Beatles had an impact, but so did the Shadows, the Rolling Stones, the Animals and other British Invasion bands. My focus was on being a studio musician – once I learned that it was an actual career path.” That car
“It’s kinda like when Santa leaves the workshop and the elves get to play”: Weezer’s Brian Bell reveals his Mason Marangella-built pedalboard (opens the original)
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“For Weezer’s upcoming tour – The Gathering – I’ve got my arsenal pretty dialed in. It’s kinda like when Santa leaves the workshop and the elves get to play! [Laughs] “It’s insane the sounds we can make by tweaking knobs. It’s fascinating because there are people who can hone in on different elements of music and love gear. And I do love gear to the extent that I’ve got a new pedalboard made by a guy named Mason Marangella, who’s the [owner and CEO of] Vertex Effects. I basically spent a week up
“Robert Fripp asked me to get together with some guys he knew. In the studio were Adrian Belew, Bill Bruford and Robert. My jaw dropped”: Tony Levin’s lessons from Steve Vai, Robert Fripp and Peter Gabriel (opens the original)
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To call Tony Levin simply a bassist would be doing him a disservice. He’s a full-scale multi-hyphenate musician who’s added his magic to the work of Peter Gabriel, Alice Cooper, King Crimson and more. For the last two years he’s been touring with BEAT, celebrating Crimson’s music. He has a new Stick Men record out titled Let’s Thrak. Meanwhile he’s writing his memoirs. “I've been working on it for years,” he says. “I’m lucky to have great stories of these bands I've played with, including playin
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