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- Indexed articles, last 90 days
- 8
- Latest publication
- Sep 30, 2026
- Outlet visibility, for Seven Days
- Top 500K sites
- Earliest in this view
- Jul 22, 2026
Latest articles
New Documentary on Erik Satie Screens in Burlington | Seven Days (opens the original)
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Burlington is a fairly arts-forward community, but its 1,000-year-old French sister city, Honfleur, is on another level. Among the Normandy coastal town’s native-born artists is composer Erik Satie (1866-1925), who single-handedly turned classical music on its head. Iconoclastic and deliberately provocative, Satie’s approach to music is still dismissed in some academic quarters but has permeated the wider culture, influencing the likes of John Cage, Brian Eno and Janet Jackson. Satie caught the
Turner Brooks Revisits the Vermont Houses of His Early Career | Seven Days (opens the original)
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Architect Turner Brooks is a big fan of the 17th-century church San Carlo alle Quattro Fontane in Rome. Designed by Francesco Borromini, its alternating convex and concave interior walls seem to expand and contract, as if breathing. Brooks sees no contradiction between immobile structures and the sensation of movement — that’s clear in his own buildings. A resident of New Haven, Conn., who taught for 40 years at the Yale School of Architecture, Brooks, 83, launched his career in the early 1970s
Art Review: Sean Clute, “10,000 Seeds and the Phantom Air” | Seven Days (opens the original)
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The spacious floor of the Julian Scott Memorial Gallery, at Vermont State University’s Johnson campus, currently holds a single, unexpected object: a raised garden bed. Strange things grow in its dirt: video screens, speakers, tiny plastic fans, 3D printouts of brains. Giant projections of shifting, heavily pixelated cloudscapes play across three walls. The sound of wind rises and falls unpredictably. The installation, “10,000 Seeds and the Phantom Air,” is the work of Sean Clute, a multidiscipl
A Modern Man: Sculptor Hugh Townley at BigTown in Rochester | Seven Days (opens the original)
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Hugh Townley was an artist with a singular vision who worked mainly in wood. During his lifetime, he presented more than 50 solo exhibitions in museums and galleries. His works are in the permanent collections of major institutions across the country, including the Museum of Modern Art and Whitney Museum of American Art in New York City, the Art Institute of Chicago, and the Los Angeles County Museum of Art. So it may seem unusual that “Hugh Townley: Grand Finale,” his final retrospective, is on
Wagner in Vermont Festival Features ‘Tristan und Isolde’ | Seven Days (opens the original)
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Richard Wagner operas are big in every sense — many hours long, epic in plot and score, and grandly staged. Wagner himself encouraged the latter: In 1875, he built a large theater in Bayreuth, Germany, specifically to stage his own works. Things have only gotten bigger since. The Metropolitan Opera’s 2010 Ring cycle — a four-opera, 15-hour affair — featured a 90,000-pound set of pivoting metal planks and towers; its 2026 production of Tristan und Isolde was staged in a giant tunnel. Yet Wagner c
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