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- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 28, 2026
- Outlet visibility, for House & Garden
- Top 100K sites
- Earliest in this view
- Jul 14, 2026
Latest articles
A Victorian Scottish castle thatâs been thoughtfully restored with layered colours, patterns and antiques (opens the original)
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âIt was all about the light,â says HG101 Hall of Fame honouree Cindy Leveson of her design of this Victorian Scottish castle, which she has spent five years sensitively restoring. Surrounded by mountains, trees and some seriously big skies, its expansive rooms demanded a deft touch with colour. âI found the Scottish light sucked the life out of shades that I would normally have specified,â she explains. âIt turns tried-and-tested colours into something completely different. The pinky-c
Osanna Visconti is giving ancient bronze casting a modern twist (opens the original)
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In May, Italian designer Osanna Visconti made her US debut in an exhibition at New York gallery Maison Gerard. Approximately two dozen of her cast-bronze pieces were surrounded by French Art Deco and mid-century designs, plus a handful of important artworks. She described the showcase as ‘an eclectic dance’ between the serious and the playful. Osanna’s work, however, is rooted in Italy. Born in Rome, she began her career as a jeweller, drawing on her mother’s preference for contemporary artisan-
A restored early 20th-century house outside Ghent, full of tactile touches and earthy sophistication (opens the original)
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Belgium’s cool northern light is often cited as the key to its understated interiors, which, thanks to designers like Axel Vervoordt and Vincent Van Duysen, are widely revered. The perfectly imperfect spaces of Axel in particular have become a byword for Flemish chic. Now there’s a new face on the scene: Ghent-based Charles Van Canneyt, whose projects exude the same earthy sophistication as those of his forebears. When asked to sum up the Belgian look, Charles uses words like ‘restrained’ and ‘t
The most beautiful museum cafes in the world (opens the original)
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Whether it’s the V&A in London, the Kunsthistorisches Museum in Vienna or Fondazione Prada in Milan, the world’s most beautiful museum cafés have become an essential part of the experience – as much a reason to visit as the latest blockbuster exhibition. In many ways, these spaces are aesthetic aperitivos: clever, often historic interiors that honour the spirit of their setting while introducing a note of contrast – perhaps a contemporary detail within a gilded hall – that makes you want to ling
The art of noticing â how Oliver Spendley distils the wilds of Scotland into otherworldly designs (opens the original)
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You can sense that Oliver Spendleyâs designs have their roots in a wild, ancient landscape. The Dorset-born craftsmanâs tables and objects possess a raw power, recalling megalithic stones or the mystical relics of a lost civilisation. Oliverâs work is inseparable from the untamed country that he has made his home. From his remote studio in Sutherland, on Scotlandâs north-west coast, you can see the sea, valleys, and craggy mountains. He works partly indoors, partly outside, in a lean-to
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