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Allison Kuester

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Sep 30, 2026
Outlet visibility, for The Daily Northwestern
Top 5M sites
Earliest in this view
Jul 14, 2026

Latest articles

  1. Article · Sep 30, 2026 · Allison Kuester

    Reel Thoughts: ‘Primetime’ opens the curtain, but doesn’t let us in Reel Thoughts: Pattinson’s ‘Primetime’ doesn’t let us in (opens the original)

    Excerpt · English

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    Content warning: This story contains mentions of sexual abuse. The year is 2006. You walk into the living room to see your mom watching Dateline NBC. Chris Hansen’s voice echoes as he coldly interrogates a man during the primetime showing of “To Catch a Predator.” “Primetime,” A24’s newest film, explores the eerie moments before the camera starts rolling for the popular yet divisive network TV show, which featured adults posing as teenagers trying to catch men in the act of sexually abusing mino

  2. Article · Sep 28, 2026 · Allison Kuester

    Residents, city officials tour contested Waste Transfer Station (opens the original)

    Excerpt · English

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    Clad in yellow vests and Waste Management branded hard hats, residents and city officials began their second round of tours of the Church Street Waste Transfer Station on Friday morning. The waste transfer station, situated between the 5th and 2nd Wards, first opened its gates for community tours earlier this month. Led by Alds. Krissie Harris (2nd) and Bobby Burns (5th), the goal of the tours has been to increase operational transparency after years of concerns from residents. For decades, resi

  3. Article · Jul 14, 2026 · Allison Kuester

    Reel Thoughts: ‘The Invite’ shows battle of expectations, discomfort (opens the original)

    Excerpt · Positive tone · English

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    After a back-and-forth discussion between my friend and me regarding our ideal timelines for weddings and children, we sat down in a small theater to embark on a claustrophobic investigation of love and unhappy marriages. Throughout our watch of “The Invite,” we found ourselves almost always giggling, sometimes because of absurd humor and clichés but mostly thanks to a good kind of discomfort. The nearly two-hour-long film, directed by Olivia Wilde, is based on Cesc Gay’s 2020 Spanish film adapt

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