Allison C. Meier
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 30, 2026
- Outlet visibility, for The Art Newspaper - International art news and events
- Top 500K sites
- Earliest in this view
- Jul 17, 2026
Latest articles
Staten Island's historic Britton Cottage gets $2.1m transformation (opens the original)
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The centuries of change witnessed by Staten Island’s Britton Cottage are visible in the strata of materials that make up the over 350-year-old house. At the centre is a fieldstone structure dating to 1670 and the early days of New York City’s colonisation. Flanking it are mid-18th-century wood-frame additions with weathered clapboard. Most significant in its years of transformation is its location. Once it was in the waterfront neighbourhood of New Dorp Beach; since 1965, it has been preserved a
Houston exhibition explores memory and mythmaking in the American landscape (opens the original)
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In Brunswick, Georgia, three worn, boulder-like forms are deteriorating in a tidal salt marsh. Sometimes they are nearly hidden when the waters rise. Marsh Ruins was created from concrete and tabby (lime, sand, ash and shells) by the US artist Beverly Buchanan (1940-2015) in 1981 and subtly draws attention to the complex history of this land. It is an area that inspired the 19th-century poem of Southern nostalgia, The Marshes of Glynn by Sidney Lanier, but it is also home to Igbo Landing, a reno
‘Race against time’ to rescue Alabama Civil Rights landmark (opens the original)
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The Edistone Hotel has stood in downtown Selma, Alabama, since 1855 witnessing the tides of history, from slavery to the Civil War to the Reconstruction era to the Civil Rights Movement. In the late 20th century, it was closed and neglected amid the loss of many of the city’s industries and the decline of its population. The three-storey brick building with its boarded-up windows seemed to await the inevitable wrecking ball, until this past autumn when its acquisition by the Conservation Fund wa
‘A poem to the prairie’: new life for architecture as sculpture (opens the original)
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While cities across the United States were being transformed by sleek glass towers in the mid-20th century, on the Great Plains a more fantastic vision of Modern architecture was being built. Now known as the American School, this rebellious strain of design had no boundaries in style, form or materials. Two architects who taught at the University of Oklahoma in Norman in the 1950s and 60s, Bruce Goff and Herb Greene, led this approach to organic shapes that responded directly to their environme
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