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- Indexed articles, last 90 days
- 15
- Latest publication
- Oct 1, 2026
- Outlet visibility, for AnOther
- Top 1M sites
- Earliest in this view
- Jul 7, 2026
Latest articles
Antonin Tron’s Balmain Woman is “A Bit of an Animal” (opens the original)
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One thing you know about the Balmain woman: she’s a bit of an animal. In fact, in the hands of Antonin Tron, incumbent creative director of the house, she’s a lot of animals, an abattoir of big-cat print and pattern overlaid, a leather ruched to resemble the tonsured hide of a crocodile or snake, maybe, a lace skirt patterned like alligator but actually, on closer inspection, embroidered with sequins to replicate ocelot hide. His Spring/Summer 2027 collection, though, was about Death Valley. Wel
Jonathan Anderson Is “Moving the Heaviness of Heritage” at Dior (opens the original)
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Looking south in the Parc des Tuileries, you could glimpse the tip of the Eiffel Tower above a boxwood hedge while Jonathan Anderson discussed his latest reiteration – reinvention? Revitalisation? – of the house of Dior. Glance away from Anderson, towards the westerly rail of his Dior clothes previewed a few hours ahead of his Spring/Summer 2027 show – the first big kahuna, in a Paris Fashion Week packed with them – and l’obélisque de Louxor came into view. Touristic vistas are fitting given tha
Louise Trotter’s Bottega Veneta Is in Full Bloom (opens the original)
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Flowers have been kind of a thing this season. Florals for spring, and all that. Louise Trotter left a handmade leather one – a parrot tulip, a lily, what I thought was a ranunculus but turned out to be a peony (I’m not an expert) – on every seat of her Spring/Summer 2027 Bottega Veneta show. Christian Lacroix used to do the same at the couture for his audience to pelt him with adoringly. Everyone today, rather, adored Trotter’s and took them home. Different times. Yet the meaning was similar –
The Curious World of Meryll Rogge’s Marni (opens the original)
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Sometimes, what you don’t do can matter just as much as what you do. This was the thinking of Meryll Rogge, in her sophomore show for Marni. It’s a house known, to a degree, for a cuddly maximalism under founder Consuelo Castiglioni. Rogge showed in a space stripped out to savage, even surgical metal rods and panels of wood veneer, revealing the concrete infrastructure that lay beneath. It felt like a vivisection of the building, accompanying narrow clothes that diced out curious windows on the
“A Sense of Value” at Fendi (opens the original)
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Maria Grazia Chiuri has been back in Italy full-time for just over a year, preceding her appointment to lead the Roman house of Fendi last October. She’s evidently steeping herself in the culture from which she came. “This reference is very close to Italian culture,” she said beforehand, of the heroine that inspired her Spring/Summer 2027 Fendi collection – as a warning, that we may have no idea what she was on about. That was Raffaella Carrà, an Italian film and television star and recording ar
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