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- Indexed articles, last 90 days
- 7
- Latest publication
- Sep 22, 2026
- Outlet visibility, for Irish Times
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- Jul 7, 2026
Latest articles
Do It Together: Pallas Projects 1996-2026 review â 30 years of enriching Dublinâs cultural life (opens the original)
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For the past 30 years, through ever-changing and challenging circumstances, across 16 transitory homes and multiple other off-site exhibition locations throughout Dublin and beyond, a devoted cast of artists and practitioners have run the gallery, organised the shows and managed the artist studios that come under the umbrella of Pallas Projects. Originally set up by Mark Cullen and Brian Duggan in a converted industrial space on Foley Street in the city, and notwithstanding its vibrant history o
End Times Fascism: How the ultra-rich not only benefit from crises but endeavour to trigger them (opens the original)
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Earlier this year the New York Times reported on the latest fad among the ultra-rich: snow rooms. As climate change wreaks havoc on seasonal temperatures, our global billionaire class have taken to building their own artificial indoor winter wonderlands in expansive, bespoke combinations of rock, wood, ice and reliably gentle snowfall. This might seem like just another story of elite excess, alongside superyachts and impulse purchases of Irish castles. Yet what is striking is that these super-ri
Reconstructions: A Room for Mike Kelley review â A thoughtful, generous exhibition (opens the original)
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Itâs a familiar scenario: youâre attending a performance, a concert, a reading or a gig, yet the primary spectacle before you is a sea of phones. Weâre living in an age of documentation when little to nothing evades the lens. In the final decades of the 20th century the camera was distinctly less pervasive, which adds a wonderful fugitive aura to the handful of existing photographs that capture the seminal early performance works of Mike Kelley. An American artist of immense sensitivity wh
Vanessa Donoso López: (O-O-O) review â Inscrutable cacophony of objects left to their own devices (opens the original)
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For a good chunk of the mid-2000s a debate took place, mainly on the internet, between a group of philosophers and theorists over a problem of their own disciplineâs making. The issue might be crudely described as how to let things just do their own thing. Since at least the 18th century, thanks to Immanuel Kant, a seemingly inescapable aspect of reality was that it is structured in some essential way by the human mind. This hypothesis solved a whole bunch of problems for 18th-century philosop
Aleana Egan: A Maritime Child review â Powerful sculptural forms in an evocative setting (opens the original)
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Hidden among the trees on the shore of a lake in Connemaraâs spectacular Inagh valley stands an arresting flat-roofed building, all I-beam, glass and rusting corrugation. Designed in the 1980s by architects Scott Tallon Walker as a state-of-the-art salmon hatchery, it is now home to Interface, an exhibition, studio and residency programme exploring the intersections between scientific research and artistic practice. With its concrete reservoirs, enormous circular green tanks and richly suggest
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