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You've Got Five Pages...To Tell Me It's Good

Formerly Story Cuppings! Every month we visit the local library to randomly select a new release and read its first chapter. As writers, we are told that those opening pages are crucial to hooking readers.

Podcast · By Jean Lee · English · Official site

Indexed episodes, last 90 days
3
Latest publication
Sep 25, 2026
Audience
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Earliest in this view
Jul 24, 2026

Latest episodes

  1. Episode · Sep 25, 2026

    You've Got Five Pages, The Franchisee by Thomas Elrod, to Tell Me You're Good. (opens the original)

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    Welcome back, my fellow creatives! Yup, I'm back to looking at the first five pages of various stories, for those five pages can make or break the engagement of a reader--or an agent. So, let's scope out others' stories to see how they hook an audience! Now, this one I stumbled upon while trying to find something a little different from my previous selections. Ironically, I picked The Franchise because it reminds me of something I have read before. But I'll explain in a second. "Game of Thrones

  2. Episode · Aug 28, 2026

    You've Got Five Pages, Fear the Reaper by David Housewright, to Tell Me You're Good. (opens the original)

    Episode notes

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    Welcome back, my fellow creatives! Yup, I'm back to looking at the first five pages of various stories, for those five pages can make or break the engagement of a reader--or an agent. So, let's scope out others' stories to see how they hook an audience! David Housewright has a NUMBER of books in his Rushmore McKenzie mystery series--in fact, this seems to be the 25th installment, if I'm skimming the works page correctly. That means I am already going to look at the opening pages with a grain of

  3. Episode · Jul 24, 2026

    You've Got Five Pages, The Dreadfuls by A. Rae Dunlap, to Tell Me You're Good. (opens the original)

    Episode notes

    Read excerpt

    Welcome back, my fellow creatives! Yup, I'm back to looking at the first five pages of various stories, for those five pages can make or break the engagement of a reader--or an agent. So, let's scope out others' stories to see how they hook an audience! I admit, I do judge a book by its cover now and then. The gorgeous sketch of a top hat and eyeball with thick lashes is accentuated by a red teardrop; plus, a lamppost and dark figure of a man are reflected inside the eyeball. It’s a fitting impr

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