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YAS Podcast

Formerly known as "Yes, a Stripper Podcast".Strippers are real people that are capable of amazing things, in and outside of the strip club.

Podcast · By YAS Work · American English · Official site

Indexed episodes, last 90 days
3
Latest publication
Aug 25, 2026
Audience
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Earliest in this view
Jul 15, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest episodes

  1. Episode · Aug 25, 2026

    Mini-sode: The Community Shop - A Thrift Store for YAS Work (opens the original)

    Episode notes · Positive tone

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    This is a mini-sode about how The Bar Studio and Bee's Knees created a Community Shop that turns donated dance and workwear into affordable finds, with proceeds supporting YAS Work. The idea is simple, but the ripple effects are bigger: it helps students, supports sex workers, and gives the studio a tangible way to live its mission. Looch and Sara Bee share how the shop works in person and online, why the model fits their community, and how it inspired adjacent projects like a quarterly newspape

  2. Episode · Aug 12, 2026

    NatsHoney & AMD Do Pole Con East (opens the original)

    Episode notes

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    The pole world is finally being forced to face the truth: if you want a stronger future for pole, you have to center sex workers, not sideline them. NatsHoney and AMD break down what they saw at Pole Convention East, where representation, history, and accountability were on full display.What starts as a recap of an electric event turns into a bigger conversation about who gets celebrated in pole spaces, who gets left out, and what it actually means to build a more honest industry. From disabilit

  3. Episode · Jul 15, 2026

    Monty the Monster Slayer (opens the original)

    Episode notes · Neutral tone

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    Host AM Davies welcomes artist and sex worker, Stephanie "Monty" Montgomery, to discuss the billboard she hand-painted after surviving workplace assault and being failed by club management and police. Monty traces how rage transformed her art from carefully marketable work into a weapon for public accountability, guided by the mantra “vengeance for me, justice for them.” Their conversation moves through childhood grief, forced positivity, Los Angeles grime, Texas conservatism, and the exhausting

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