HeyJaredWhat's a binky? by Larry Blake
Larry Blake's weekly thoughts on the art, craft, and history of motion pictures—with a focus on imaging, sound, and archiving—alternating between writings (1st and 15th of the month) and podcast interviews with friends and colleagues (8th and 22nd).
- Indexed issues, last 90 days
- 12
- Latest publication
- Sep 27, 2026
- Audience
- Checking…
- Earliest in this view
- Jul 8, 2026
Latest issues
Podcast Episode 15: Dave Henri (part one) (opens the original)
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<img alt="" class="sizing-normal" height="550.1488250652742" src="https://substackcdn.com/image/fetch/$s_!inw_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa5350603-d405-4be9-9ab2-00f393127b03
In Praise of Super 8 (part three of three) (opens the original)
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<img alt="" class="sizing-normal" height="426.5141588006663" src="https://substackcdn.com/image/fetch/$s_!XjYO!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb58a8d2e-251a-47e9-98dd-298c
Podcast Episode 14: Paul Rayton (part two) (opens the original)
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<img alt="" class="sizing-normal" height="458.11675126903555" src="https://substackcdn.com/image/fetch/$s_!zKLC!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F63b7d77a-5649-4594-a311-a3c948e5c26
In Praise of Super 8 (part two of three) (opens the original)
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<img alt="" class="sizing-normal" height="608.3822075782537" src="https://substackcdn.com/image/fetch/$s_!AMyY!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Faaa95b0a-36bb-4f69-984b-2dce8a3d5c
Podcast Episode 12: Paul Rayton (part one) (opens the original)
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Paul Rayton got into projecting, one way and another, while still in high school. After he studied at USC with George Lucas, he acquired much more experience in theaters around Los Angeles. He was sufficiently enamored of the craft of projection that he continued working in the area, mostly in commercial cinemas, from the late Sixties until the 21st century.In 1974, and for several ensuing years, he was a seasonal “Technical Coordinator” for Los Angeles’ first real film festival, Filmex. Startin
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