HeyJaredWannabe flâneur
Poet and writer working on a collection of short stories inspired by women's relationship with nature. Posts about nature, feminism, history and whatever weird little stories I can't stop thinking about.
- Indexed issues, last 90 days
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- Aug 28, 2026
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- Jul 10, 2026
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The slippage of slop (opens the original)
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Whilst working on a couple of longer pieces, I started turning over this idea and it quickly became its own thing. Although (as I explore) slop is that without substance; I hope this sustains you until I have the time and space to get back to longer-form ideas.“Slop” falls out your mouth in such a satisfying sound. For me, it always makes me think of Atlantis: The Lost Empire (2001), a film I manically watched and rewatched as a child. For those of you un-blessed and un-initiated: the film follo
The horror identity crisis (opens the original)
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“Horror”, both as a genre and a feeling, can gather a lot of different emotions—dread, disgust, anxiety, as well as something akin to dismay or disapproval, where something feels deeply wrong or unjust. The attempt to pick apart these feelings is nothing new or original—in an 1826 essay, “On the Supernatural in Poetry”, Ann Radcliffe differentiates “horror” and “terror”. Horror, in her definition, is a moment of shock or fear, whereas terror is the building tension and dread where you are anxiou
The loss of mutual trust (opens the original)
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This post discusses 2001: A Space Odyssey (1968), “Wuthering Heights” (2026), Crimson Peak (2015) and Weapons (2025)I recently saw Stanley Kubrick’s 2001: A Space Odyssey for the first time. It’s one of those monumental watches that makes you feel like your life is now BC2001 and AD2001. Not only is it an incredible piece of filmmaking—visually and story-wise—but my lasting impression was a feeling of trust. This kind of trust is shared—the filmmaker trusts you to bring your attention, patience
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