HeyJaredVV Ramani
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 10, 2026
- Outlet visibility, for The Hindu Kerala
- Top 5K sites
- Earliest in this view
- Aug 19, 2026
Latest articles
VV Ramani -The Hindu (opens the original)
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Subscribed with another email? Logout and Login with that one. Account subscription benefits alongside Premium Stories, Editorials, Opinions and more. Unlock these with Subscription VV Ramani is an alumnus of the Government college of Arts and Crafts, Madras, has over four decades of experience in the field of art and design exploring various dimensions and media - painting, murals, collages , textile and costume designing, set designing , teaching and writing on visual and performing arts. A ve
Jaya Jaya Devi, featuring Lalgudi Jayaramanâs memorable score, returns (opens the original)
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The year was 1994, and the arts fraternity was abuzz with excitement over a dance production that toured the U.S. and Canada, staging 23 full-house shows. While many were eager to hear the musical score composed by violin maestro Lalgudi Jayaraman, others looked forward to witnessing the choreography of Rhadha, scion of the Vazhuvoor bani. The coming together of these two legendary artistes contributed immensely to the productionâs success, with audiences returning to watch it multiple times.
Dharini Komal brings Indiaâs freedom story to stage in new Tamil play (opens the original)
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Komal Theatresâ Endru Thaniyum, offered a theatrical relook at the episodes that eventually led to Indiaâs Independence. In an attempt to traverse this vast historical journey within a span of two hours, the production brought together familiar milestones and lesser-known episodes to offer a visual account of Indiaâs journey to freedom. The story begins with William Hawkins landing at Surat in 1608 aboard the ship called Hector, carrying a letter from King James 1 of England seeking perm
Christopher Guruswamy and Vignesh Ishwar shine in creative collaboration (opens the original)
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The theme of the day at Natyarangam’s Pancha Bhootha Bharatham festival was ‘Vayu’ (air), and true to the spirit of that element, Bharatanatyam artiste Christopher Guruswamy breezed onto the stage with gusto, delivering a riveting performance. The core idea, envisaged by Natyarangam’s committee members to foster a creative exchange among Carnatic vocalists and Bharatanatyam dancers, found compelling expression in Christopher’s collaboration with Vignesh Ishwar. The presentation testified to the
From sacred fire to darkness: Navia Natarajanâs choreographic exploration of âAgniâ (opens the original)
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The opening lines of Subramania Bharatiyarâs poem âAgni Kunjondru Kandenâ resonated through the auditorium as the dancer walked onto the stage holding a lamp. The glow of the single flame she lit drew the audience into a journey that delved deep into the varied facets of fire, as creator, messenger, destroyer, and purifier. This formed the premise of Navia Natarajanâs âAgniâ (Fire), presented as part of Natyarangamâs Pancha Bhootha Bharatham festival at Narada Gana Sabha, Chennai.
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