TRACCE▶
La newsletter che ti parla di musica e cultura indie. Di Hamilton Santià
- Indexed issues, last 90 days
- 5
- Latest publication
- Aug 21, 2026
- Audience
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- Earliest in this view
- Jul 19, 2026
Latest issues
#029 - La nuova canzone dei Fontaines D.C. è bellissima (opens the original)
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<img alt="" class="sizing-normal" height="765" src="https://substackcdn.com/image/fetch/$s_!XHuJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd23b24d6-c13f-4684-8149-285ed3d9e55c_1200x765.jpe
#028 - La città e il futuro dei luoghi dove si fa la musica (opens the original)
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<img alt="" class="sizing-normal" height="668" src="https://substackcdn.com/image/fetch/$s_!uJ5B!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7ac3a53d-38b4-4069-ae6e-9121c72f7d02_1008x
#027 - Venticinque anni di “Is This It” (opens the original)
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Reality Awaits, il settimo album degli Strokes, è uscito da una settimana e sta piacendo pressoché a tutti. Ne ho parlato su Rolling Stone. Sempre in questi stessi giorni, però, ha compiuto venticinque anni Is This It, l’epocale esordio della band di Julian Casablancas. Nella sua recensione pubblicata su Human vs Robots, il mio amico Carlo Bordone lo ha definito “forse
#026 - Quella volta che Glen Hansard suonò con Daniel Johnston (opens the original)
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<img alt="" class="sizing-normal" height="971" src="https://substackcdn.com/image/fetch/$s_!zotF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5fb00371-72e9-4991-9573-9a96d0607725_5616x3744.j
#025 - La Fender contro tutti (compresa sé stessa) (opens the original)
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<img alt="" class="sizing-normal" height="971" src="https://substackcdn.com/image/fetch/$s_!Z27i!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5dc28c6b-56c3-4ea8-8476-b5991989707d_1500x1000.j
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