HeyJaredTim Page Writer
I'd like to remain anonymous. But you are saying things that need to be said.
- Indexed issues, last 90 days
- 11
- Latest publication
- Sep 28, 2026
- Audience
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- Earliest in this view
- Jul 31, 2026
Latest issues
Zeffirelli’s Transportive ‘Bohème’ Returns to the Met Opera (opens the original)
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<img alt="2026-27 La Bohème" class="sizing-normal" height="854" src="https://substackcdn.com/image/fetch/$s_!OIcG!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F11a15f1f-bb26-4b5c-a9aa-76d
‘The Crowd’: A Spare and Silent Realism (opens the original)
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‘The Crowd’: A Spare and Silent RealismKing Vidor’s 1928 classic, a tenderly acted study of a couple struggling to get by in New York, is perhaps the most powerful American silent dramaByThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.<input class="email-input" name="email" tabindex="-1" type="email"
A Bad Dream (opens the original)
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Bizarre dream that I had somehow agreed to play piano in a performance of Arnold Schoenberg’s Serenade at an outdoor concert in his native Vienna. Huge honor but utterly impossible for me, especially now. Did everything to get out of it -- including calling my friend Steve Gregoropoulos to beg him to take over, which he couldn’t do because he lives 7000 miles away in California and the concert was only an hour off. Looked at the music and it was ferociously difficult. Showed up at the event but
ENRICO CARUSO (opens the original)
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By Tim PageThe Washiongton Post October 24, 2001 Back in the terrifying days after the 9/11 attacks, I wrote an article about Enrico Caruso while waiting for audiences to come back. It’s the biggest piece I ever wrote about Caruso, my first operatic hero and I used a little play presented on Mount Vernon Square. I’ve been a little under the weather and so I am recycling a bit while I recover. I would be grateful to anybody who can afford a paid subscription to sign up if you enjoy these posts an
VOLKOV’S SHOSTAKOVICH (opens the original)
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His Master’s VoiceThe ongoing debate over a musical genius and his controversial role in Soviet historyThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.<div class="fake-bu
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