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Thomas Dalecki

I am a photographer based in Hamburg, My passion lies in black-and-white photography, and I capture images using both digital and film cameras. I draw inspiration from the beauty of nature as well as the dynamic landscapes of urban environments.

Newsletter · By Thomas Dalecki · Official site

Indexed issues, last 90 days
3
Latest publication
Sep 18, 2026
Audience
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Earliest in this view
Aug 30, 2026

Latest issues

  1. Issue · Sep 18, 2026

    Trip to Edinburgh (opens the original)

    Excerpt · Positive tone

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    The trip to Edinburgh had been in the works for almost a year, so naturally my excitement had been building over the last few weeks.Three friends and I wanted to enjoy some time together, sharing a dram of whisky here and there, along with a few pints of beer.Since I barely leave the flat without my camera these days, it was pretty much a given that I’d be shooting too. The Leica Q3 Monochrom was a non-negotiable, and I also considered bringing the Pentax KM with Portra 400 and my little Rolleif

  2. Issue · Sep 6, 2026

    Sunday Morning at the Hamburg Fish Market (opens the original)

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    The Hamburg Fish Market takes place every Sunday morning. In summer, it starts as early as 5 a.m.; in winter, at 7 a.m. By 9:30, it is all over.It has been part of Hamburg since 1703.One of the busiest places is the old Fish Auction Hall. With live music, beer and a proper breakfast, it attracts a rather unusual mixture of people. Some are early risers, while others simply haven’t made it home from Saturday night yet.If you want to experience the market before the buses full of visitors arrive,

  3. Issue · Aug 30, 2026

    When the Engines Are Silent (opens the original)

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    The Bergring in Teterow is a place built for noise.Motorcycles, spectators, announcements, engines climbing through the hills. But when I visited, none of that was there.What remained was the place itself.Empty grandstands. Small wooden towers. Fences, stairs and signs waiting for people who would not arrive that day. Grass had begun to grow into spaces normally occupied by spectators, officials and press.I found myself less interested in imagining the races than in photographing this temporary

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