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THEY SHOOT FILMS

Does the world really need another film podcast? Recovering filmmakers Ken Mercer and F.T. Kosempa are apparently crazy enough to think so.

Podcast · By Film Symposium West · English · Official site

Indexed episodes, last 90 days
3
Latest publication
Sep 1, 2026
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Earliest in this view
Jul 7, 2026
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Latest episodes

  1. Episode · Sep 1, 2026

    'The Graduate' (1967) (opens the original)

    Episode notes · Neutral tone

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    Is The Graduate actually a feel-good coming-of-age story, or one of the darkest endings in classic film history? On this episode of They Shoot Films, we break down Mike Nichols' 1967 masterpiece—from the iconic Simon and Garfunkel soundtrack to that famously ambiguous bus-stop ending. We look back at Mike Nichols' stranger-than-fiction life. We cover Dustin Hoffman and Anne Bancroft's performances as Benjamin Braddock and Mrs. Robinson, why Mrs. Robinson deserves a second look as one of cinema's

  2. Episode · Aug 4, 2026

    'Inside Llewyn Davis' (Part 2) (opens the original)

    Episode notes

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    Part two of our deep dive into Joel and Ethan Coen's Inside Llewyn Davis picks up where we left off. In this episode, we turn to the choices Llewyn Davis makes across the film, and what they reveal about his character. We also go looking for the real people hiding inside this film. Inside Llewyn Davis is loosely inspired by the life of folk legend Dave Van Ronk, and the film is populated with characters drawn from the real 1960s music scene: Roland Turner's washed-up, cane-wielding jazzman is wi

  3. Episode · Jul 7, 2026

    'Inside Llewyn Davis' (Part 1) (opens the original)

    Episode notes · Positive tone

    Read excerpt

    Joel and Ethan Coen's Inside Llewyn Davis (2013) is one of the great American films of the 21st century—and arguably their best. In part one of this special two-part episode of They Shoot Films, we dig deep into Joel and Ethan Coen's most haunting and misunderstood film—and make the case that it's an all-time masterpiece. What makes Inside Llewyn Davis so hard to shake? Why does the film begin and end with the same scene? What is the cat actually doing in this movie? And why does Llewyn—clearly

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